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re: Nothing against Houdyshell, but from a singing perspective? Upgrade. (nm)

Posted by: Chromolume 05:26 pm EDT 03/12/14
In reply to: re: Nothing against Houdyshell, but from a singing perspective? Upgrade. (nm) - AlanScott 04:36 pm EDT 03/12/14

But the character is a singer

Indeed. Maybe the singing at the Hot Box doesn't need to be Carnegie hall quality, lol, but the fact is she IS a dancer/singer at the club.

And indeed, I can't imagine a production where the Sky and Nicely don't have real singing ability. And if that last line of "Fugue For Tinhorns" is really going to land, you need a Benny and a Charlie who can deliver the goods too - not just hit the notes, but really SING that last "right here."

Conversely, I've seen productions where indeed the Sarah must have been cast on her singing ability first - but the acting was sub par. So having a "singer" in the role is not all you need.

As for Cartwright, as originally written, it's a non-singing role. (I don't know if she joined in with the ensemble by the end of "Sit Down" or not, but there are no solo moments of any kind.) The solo high C moment, added for the Lane/Prince revival, is really a stolen moment from the original version of "Brotherhood Of Man," when the also usually non-singing (until that moment) Miss Jones joins in with the song, and holds a high F over the men singing "Oh, that noble feeling...").

Which I suppose is why the Broderick revival of How To Succeed felt they had to do something else instead, so they made Miss Jones a "real" gospel singer.


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Previous: re: Nothing against Houdyshell, but from a singing perspective? Upgrade. (nm) - AlanScott 04:36 pm EDT 03/12/14
Next: And speaking of Benny . . . - AlanScott 05:46 pm EDT 03/12/14

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