| MEMPHIS THE MUSICAL COMES TO LONDON OCTOBER 2014 | |
| Posted by: | Official_Press_Release 12:15 pm EDT 03/13/14 |
|
| |
| Shaftesbury Theatre, London from 9 October 2014 Tickets on-sale 13 March 2014 Beverley Knight to play ‘Felicia’ Winner of four 2010 Tony Awards® including Best New Musical Grammy® Award-winning original score by David Bryan, founding member of Bon Jovi and book by Joe DiPietro Opening Night on 23 October 2014 The producers of hit Broadway musical MEMPHIS are delighted to officially announce that multi award-winning recording artist Beverley Knight will star as club singer ‘Felicia’ when the show comes to London’s West End this autumn. MEMPHIS, winner of four 2010 Tony Awards® including Best Musical has Grammy® Award-winning original score by Bon Jovi founding member David Bryan and book by Joe DiPietro. Tickets go on-sale today, Thursday 13 March 2014, for MEMPHIS which will have preview performances at the Shaftesbury Theatre, London from 9 October 2014 and Opening Night on 23 October 2014. Inspired by true events from the underground dance clubs of 1950s Memphis, Tennessee, MEMPHIS follows the fame and forbidden love of a radio DJ who wants to change the world and a club singer who is ready for her big break. “David Bryan evokes the powerhouse funk of James Brown, the hot guitar riffs of Chuck Berry, the smooth harmonies of the Temptations and the silken, bouncy pop of the great girl groups of the period” Charles Isleworth, New York Times. Directed by Christopher Ashley and with Choreography by Sergio Trujillo, MEMPHIS has Scenic Design by David Gallo, Costume Design by Paul Tazewell, Lighting Design by Howell Binkley and Sound Design Ken Travis. Queen of British Soul Beverley Knight (Felicia) has been one of the UK’s most consistent artists of the past 15 years, scoring several Top 10 albums, including the platinum-selling Voice: The Best of Beverley Knight. She has sold over a million albums in the UK, including four gold certified albums. She was awarded an MBE by The Queen in 2007 for her services to British music and her charity work, has won three MOBO Awards, and been nominated for Best Female at the Brit Awards three times and for the Mercury Music Prize twice. Her live performances have gained her a legion of famous fans, from David Bowie to Prince, Take That to Quincy Jones. Performances include: supporting Prince at his 21 Nights O2 shows in 2007 and he was so taken by Beverley’s live set that he flew her to LA in 2008 to perform with him at his post-Oscars party, where they were joined on stage by Stevie Wonder. She supported Take That on their reunion arena tour, joining them on stage for ‘Relight My Fire’. Wolverhampton-born Beverley has toured the UK several times in her own right over the last decade and a half and has sold out London’s Royal Albert Hall on three occasions since she debuted there in 2007. In summer 2012, she wowed a 1 billion viewing audience with the song ‘I Am What I Am’ at the finale of the London 2012 Paralympics Opening Ceremony. Most recently, Beverley made her west end debut as ‘Rachel Marron’ in The Bodyguard at the Adelphi Theatre. David Bryan (Music and lyrics) is a Grammy® Award-winning keyboard player and founding member of BON JOVI. Over the past 26 years the band has sold more than 130 million records and toured the world, playing to millions of people. Their recent Lost Highway Tour was the #1 grossing tour in the world. In the USA, David is a spokesperson for VH1’s Save the Music Program and won the 2010 Tony Award ® for Best Composer, the 2010 Drama Desk Award for Outstanding Music and an Outer Critics Circle Award for Outstanding New Score for MEMPHIS. Joe DiPietro (Book) won two Tony® Awards for co-writing MEMPHIS and was also won a Drama Desk award recent Broadway show Nice Work If You Can Get It starring Matthew Broderick. His other plays and musicals include: I Love You, You’re Perfect, Now Change (the longest-running musical revue in Off-Broadway history), The Toxic Avenger and The Thing About Men (both winners of the Outer Critics Circle Award for Best Off-Broadway Musical), Over the River and Through The Woods, The Art of Murder (Edgar Award Winner for Best Mystery Play) and the Broadway musical All Shook Up. MEMPHIS is produced in London by Junkyard Dog Productions, Marlene and Kenny Alhadeff, Barbara Freitag, Joseph Smith and John Brant. Where Shaftesbury Theatre, Shaftesbury Avenue, London WC2H 8DP Dates Performances from 9 October 2014 Press Night 23 October 2014 Performances Monday to Saturday at 7.30pm Wednesday & Saturday at 2.30pm Ticket Prices £20 to £67.50 Box Office 0207 379 5399 Website memphisthemusical.com twitter.com/memphismusical facebook.com/memphisthemusical | |
| reply to this message | | |
| I just don't see this being a hit in London | |
| Posted by: | dramedy 02:48 pm EDT 03/13/14 |
| In reply to: | MEMPHIS THE MUSICAL COMES TO LONDON OCTOBER 2014 - Official_Press_Release 12:15 pm EDT 03/13/14 |
|
| |
| But that is probably why it has taken so long to mount it there. I was surprised at the Olivier nominations that three (bookOM, SBoys and once) of the four best musical were broadway shows. Only chocolate factory was home grown. I guess we send musical there and London sends plays here (of course Matilda is from London). | |
| reply to this message | | |
| Interesting website for Shaftesbury Theatre | |
| Posted by: | seeseveryshow 03:54 pm EDT 03/13/14 |
| In reply to: | I just don't see this being a hit in London - dramedy 02:48 pm EDT 03/13/14 |
|
| |
| Interesting fact-filled website for the Shaftesbury at link. I had the impression that with rare exceptions (eg HAIRSPRAY), the Shaftesbury was something of a jinx house for American musicals. Hope I am wrong. I saw HAIR there in 1971, and nothing since. | |
| Link | Shaftesbury Theatre, London |
| reply to this message | reply to first message | |
| It is widely considered a real jinx house | |
| Posted by: | UWS_JIM 04:43 pm EDT 03/13/14 |
| In reply to: | Interesting website for Shaftesbury Theatre - seeseveryshow 03:54 pm EDT 03/13/14 |
|
| |
| When I lived in London we always thought that it would kill a show being there, mainly because the location is a little out of the way and there is much less passing trade than other Soho theatres. However it wasn't always the case it killed shows right away and some multi year runs happened, Rent ran there for 18 months and hairspray considerably longer than that for example, Jim | |
| reply to this message | reply to first message | |
All That Chat is intended for the discussion of
theatre news and opinion
subject to the terms and conditions of the Terms of Service. (Please take all off-topic discussion to private email.)
Please direct technical questions/comments to webmaster@talkinbroadway.com and policy questions to TBAdmin@talkinbroadway.com.
[ Home | On the Rialto | The Siegel Column | Cabaret | Tony Awards | Book Reviews | Great White Wayback Machine ]
[ Broadway Reviews | Barbara and Scott: The Two of Clubs | Sound Advice | Restaurant Revue | Off Broadway | Funding Talkin' Broadway ]
[ Broadway 101 | Spotlight On | Talkin' Broadway | On the Boards | Regional | Talk to Us! | Search Talkin' Broadway ]
Terms of Service
[ © 1997 - 2014 www.TalkinBroadway.com, Inc. ]
Time to render: 0.102507 seconds.