HOME ALL THAT CHAT ATC WEST COAST SHOPPIN' RUSH BOARD FAQS

LOGIN REGISTER SEARCH FLAT MODE

not logged in

re: The problem and the solution

Posted by: Chromolume 04:51 pm EST 11/14/14
In reply to: The problem and the solution - ryhog 04:11 pm EST 11/14/14

Agreed. Long before the contemporary amplification style of musicals, PLAYS often had what we'd consider "sound design" - music composed (or pulled from existing sources) to underscore, or transition between scenes, in addition to sound effects, etc.

I remember working with a sound design student a few years ago, on a musical, who was insanely frustrated over the fact that his "job" on the show required very little original work, and instead really just required getting a good balance of the band in the space (and basically one specially-created important sound effect). He simply wasn't prepared for the different needs of a musical, and it made for a very bad experience for him, IMO. He was dying to put his own creative stamp on the show somehow, and there just wasn't a need for it.


reply |

Previous: re: The problem and the solution - ryhog 08:11 am EST 11/15/14
Next: re: The problem and the solution - ryhog 05:15 pm EST 11/14/14

Thread:


All That Chat is intended for the discussion of theatre news and opinion
subject to the terms and conditions of the Terms of Service. (Please take all off-topic discussion to private email.)

Please direct technical questions/comments to webmaster@talkinbroadway.com and policy questions to TBAdmin@talkinbroadway.com.

[ Home | On the Rialto | The Siegel Column | Cabaret | Tony Awards | Book Reviews | Great White Wayback Machine ]
[ Broadway Reviews | Barbara and Scott: The Two of Clubs | Sound Advice | Sound Advice Upcoming Releases CDs/Books/DVDs, etc. | Off Broadway | Funding Talkin' Broadway ]
[ Broadway 101 | Spotlight On | Talkin' Broadway | On the Boards | Regional | Talk to Us! | Search Talkin' Broadway ]

Terms of Service
[ © 1997 - 2014 www.TalkinBroadway.com, Inc. ]

Time to render: 0.025259 seconds.