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The Royal Opera's Cavalleria rusticana and Pagliacci comes to US Theaters starting December 10th

Posted by: Official_Press_Release 05:14 pm EDT 10/26/15

BETRAYAL, LUST, LOVE, JEALOUSY AND MURDER
THE ROYAL OPERA’S NEW PRODUCTION OF CAVALLERIA RUSTICANA/PAGLIACCI
LIVE IN US THEATERS BEGINNING DECEMBER 10TH

http://us.rohcinema.com/tickets

Betrayal, lust, love, jealousy and murder abound in The Royal Opera’s pairing of heart- rending classics Cavalleria Rusticana and Pagliacci shown live in US theaters beginning on December 10, 2015. Both operas are conducted by Antonio Pappano and directed by Damiano Michieletto.

Eva-Maria Westbroek and Aleksandrs Antonenko lead the world-class cast bringing the productions to life. Staged in a village in Southern Italy in the late 20th century where poverty and hypocrisy prevail, strong passions lurk in the dark.

Cavalleria Rusticana is a tragedy of ancient codes and the illicit love of the peasant Turiddu for the married Lola. In a small village where women are objectified and men fight for their pride, the lovers’ betrayal ends in the ultimate duel.

Pagliacci is the story of an acting troupe; the hunchback clown Tonio, the murderous Canio and his adulterous wife Nedda. Taking to the stage in the local community hall, their performance quickly unravels as the imaginary and reality merge together and Canio descends into a jealous rage murdering Nedda in front of the audience. The story is based on a real life crime the composer witnessed as a child.

The operas are staged as originally intended by the composers Mascagni (Cavalleria Rusticana) and Leoncavallo (Pagliacci) as a part of the verismo movement, which looked to reproduce the realities of rustic Italian life.

For more information and to find a theater near you visit: http://us.rohcinema.com/tickets


The Royal Opera House
The Royal Opera House continues to lead the way in opera, ballet, music and dance in cinema and the many platforms available. These include digital downloads, CD, DVD and Blu-ray all distributed through Opus Arte and Digital Theatre, which allows ROH productions to be accessed on all of Digital Theatre’s platforms including its apps for the iPhone, iPad and Samsung Smart TV as well as being available for streaming from the internet. Each year the number of cinema sites in the UK alone that carry Royal Opera House screenings is steadily increasing with more than 450 sites in the UK taking the entire Royal Opera House Cinema Season and more than 1800 sites worldwide.

Arts Alliance
The Royal Opera House Live Cinema Season is presented in cinemas worldwide by Arts Alliance. Arts Alliance is the leading producer, financier, distributor and marketer of Event Cinema worldwide. With over 70 event cinema releases across screens around the globe, Arts Alliance develops, markets and distributes world-class shows to audiences in 4000+ screens in over 60 territories, engaging fans with the content they are most passionate about. In the fast-growing Event Cinema market, Arts Alliance presents exciting, multi-dimensional content across all genres: live opera and ballet in The Royal Opera House Live Cinema Season 2015/16, dynamic art exhibitions in Exhibition On Screen, theatre productions from Globe On Screen and the best rock & pop events including Arcade Fire: The Reflektor Tapes and One Direction: Where We Are – The Concert Film.


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Eva-Maria Westbroek

Posted by: Alcindoro 09:14 pm EDT 10/28/15
In reply to: The Royal Opera's Cavalleria rusticana and Pagliacci comes to US Theaters starting December 10th - Official_Press_Release 05:14 pm EDT 10/26/15

This gal needs to go back and hit the vocal technique books. Saw her at the Met last night in TANNHAUSER and she's developed a wildly flapping vibrato: her dauntingly LOUD voice (louder than anyone onstage or anything in the pit) only makes it worse, and she seems to have no great ability to sing softly. The men were all superb, especially Peter Mattei, possessor of one of the most liquidly beautiful baritones I've ever heard. The young Chinese soprano Ying Fang was another standout in her brief but important role as the Shepherd -- a high soprano with an unusually warm and round timbre -- I expect we'll be hearing much more from her. Over and above all was the wonderful conducting of Jimmy Levine, who received a much-deserved outpouring of appreciation and love from the Met audience. I have a great fondness for this unabashedly traditional production, which Gelb will undoubtedly soon trash and replace with some fashionable Genius Director's techno-nightmare concept.


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