| Do Movie Musicals Give Musicals a Bad Name? | |
| Posted by: | DCollingwood 09:20 pm EST 11/02/15 |
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| I was having a discussion with a friend earlier (one I've had a million times before it seems with so many others) trying to defend musicals. I get so annoyed with people when they say, "Oh, I don't really like musicals. I saw _______ or __________ and just thought it was silly. I don't like people breaking into song." I always reply, "Have you ever seen a bad movie? Did it turn you off to movies altogether? How about music? Did The Macarena ruin music and dancing?" Not to mention the lecture that follows about singing due to heightened emotional points in the story, yadda yadda yadda.... I digress. A lot of people have only had exposure to musicals through film and I argue that film just really cannot do justice to the Broadway Musical. I LOVE musicals, I studied them in college, but I really just feel that to get the intended effect you must see a good production on stage. That energy from the stage and from the audience cannot be replicated. I was originally going to bash movie musicals in this post but then I started to revisit some titles and realized there are actually a lot of truly great ones out there! Some are just plain fun and enjoyable and some of them can give you that same magic feeling of being there live and in person. So I ask you folks, and let's focus on what does work and not what doesn't...what are some of your favorite movie musicals that really shine as examples of the art form and don't tarnish it's reputation? Some of mine (I'm not counting Disney animated because they are mostly magical and that's not fair): The Sound of Music Chicago Cabaret The Great Muppet Caper Mary Poppins Grease Funny Girl Hedwig and the Angry Inch | |
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| Hell, most of them give MOVIES a bad name. | |
| Posted by: | allineedisthegirl 02:34 pm EST 11/03/15 |
| In reply to: | Do Movie Musicals Give Musicals a Bad Name? - DCollingwood 09:20 pm EST 11/02/15 |
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| But I do have a few favorite movie musicals: Nashville Cabaret The Wizard of OZ Swing Time db | |
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| re: Hell, most of them give MOVIES a bad name. | |
| Posted by: | PlayWiz 03:08 pm EST 11/03/15 |
| In reply to: | Hell, most of them give MOVIES a bad name. - allineedisthegirl 02:34 pm EST 11/03/15 |
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| Try watching "Love Me Tonight"; Rodgers and Hart and director Rouben Mamoulian had it right at the nearly the beginning of the sound era, starring the wonderful Maurice Chevalier, Jeanette MacDonald and Myrna Loy. "Top Hat" "Singin' in the Rain" "The Music Man" "The Young Girls of Rochefort" among some other favorites that bring enjoyment on numerous viewings | |
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| re: Hell, most of them give MOVIES a bad name. | |
| Posted by: | allineedisthegirl 03:17 pm EST 11/03/15 |
| In reply to: | re: Hell, most of them give MOVIES a bad name. - PlayWiz 03:08 pm EST 11/03/15 |
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| Thanks for reminding me about "Love Me Tonight." Yes I love the opening - morning - sequence, and "Lover" and "Mimi". The film as a whole, doesn't live up to it's opening scene. I like "The Music Man" as a virtual reproduction of the stage version. Young Girls of Rochefort -- I loathe it. Give me Umbrellas of Cherbourg any day. Singin' in the Rain has some great sequences (title song) and performances (Jean Hagen). But when he's not dancing, Gene Kelly never convinces me on any level. db | |
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| re: Do Movie Musicals Give Musicals a Bad Name? | |
| Posted by: | Greg_M 11:51 am EST 11/03/15 |
| In reply to: | Do Movie Musicals Give Musicals a Bad Name? - DCollingwood 09:20 pm EST 11/02/15 |
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| Yet people who love "films" don't seem to rush out to the theater to see "plays" Stage is so different from film and what is and isn't accepted, it's almost apples and oranges | |
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| Let It Go... | |
| Posted by: | garyd 09:39 pm EST 11/02/15 |
| In reply to: | Do Movie Musicals Give Musicals a Bad Name? - DCollingwood 09:20 pm EST 11/02/15 |
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| One can not make someone "like" musicals be they stage or film. I don't understand why some do not care for the genre but they simply do not. "It's a mystery". | |
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| re: Let It Go... | |
| Posted by: | DCollingwood 01:07 am EST 11/03/15 |
| In reply to: | Let It Go... - garyd 09:39 pm EST 11/02/15 |
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| I'll never let it go. I'm too stubborn :) | |
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| re: Let It Go... | |
| Posted by: | ryhog 01:02 am EST 11/03/15 |
| In reply to: | Let It Go... - garyd 09:39 pm EST 11/02/15 |
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| I don't think nearly so many people dislike musicals as dislike the music. But the two have been so closely wed for so long that the term musical itself has morphed into a description of a style. I for one love the idea of musical theatre-I've always thought of it as 2 for the price of 1-but I have always felt that the genre got off track around the time Bernstein decided to wander off and although there are exceptions in my mind, there is a lot that has followed that just doesn't appeal to me. Why did it not send me over the cliff? That's a mystery but honestly I think my broader love of the theatre has always left me with optimism that the musical theatre would right itself. I've long wondered if we would ever get something like Hamilton in my lifetime, although I remained optimistic. And I think if Miranda is the Bernstein of this generation, maybe the genre can get back on course. | |
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| re: Let It Go... | |
| Posted by: | Michael_Portantiere 11:31 pm EST 11/02/15 |
| In reply to: | Let It Go... - garyd 09:39 pm EST 11/02/15 |
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| I always find it interesting when some people say they hate musicals but they make a few exceptions, like WEST SIDE STORY or GUYS AND DOLLS or whatever. That always makes me think, "Well, if you like even one musical, there are probably at least a few others you would like if you gave them a chance." | |
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| re: Let It Go... | |
| Posted by: | garyd 11:44 pm EST 11/02/15 |
| In reply to: | re: Let It Go... - Michael_Portantiere 11:31 pm EST 11/02/15 |
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| lol, true. However, more often than not, at least in my experience, when pushed on why they like the exceptions, my momentary optimism is quickly deflated. | |
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| re: Let It Go... | |
| Posted by: | Michael_Portantiere 11:02 am EST 11/03/15 |
| In reply to: | re: Let It Go... - garyd 11:44 pm EST 11/02/15 |
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| "More often than not, at least in my experience, when pushed on why they like the exceptions, my momentary optimism is quickly deflated." Interesting. But both of the examples I gave, WEST SIDE STORY and GUYS AND DOLLS, are great shows. If people who don't like musicals in general say they like WSS because they think it's "cool," or say they like GUYS AND DOLLS because it's so funny, I think that's valid. And, as I said, I'm pretty sure there are other shows they'd like if they were exposed to them and gave them a chance. | |
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| re: Let It Go... | |
| Posted by: | ryhog 12:34 pm EST 11/03/15 |
| In reply to: | re: Let It Go... - Michael_Portantiere 11:02 am EST 11/03/15 |
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| "I'm pretty sure there are other shows they'd like if they were exposed to them and gave them a chance." That's really a big part of my point above: for the last couple of generations, much of the population has pigeonholed musical theatre in much the same way many musical theatre fans have pigeonholed rap (or, more generally, "rock" or "pop"). What is significant (in both directions) is when something comes along that results in some cross-fertilization. Hamilton does both. | |
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| re: Do Movie Musicals Give Musicals a Bad Name? | |
| Posted by: | richmurphy 09:39 pm EST 11/02/15 |
| In reply to: | Do Movie Musicals Give Musicals a Bad Name? - DCollingwood 09:20 pm EST 11/02/15 |
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| This might make the oddest double feature of all time, but two movies not on your list come to mind: MY FAIR LADY - The new Blu-ray that just came out last week, with its restored image and especially its awesome soundtrack, is a revelation. Watching the film for the umpteenth time, I had more appreciation for some of director George Cukor's choices. In hindsight, keeping the musical "indoors" (even for the abstract Ascot race scene) was brilliant. The show didn't need "opening up", as movie musicals often try to do. Audrey Hepburn didn't do her own singing, true, but she acted the hell out of the part. Who WOULDN'T think that she was a princess at the ball? (Rex Harrison, of course, was peerless as Higgins). SOUTH PARK: BIGGER LONGER AND UNCUT - Without its songs, you have a hilarious if profane comedy. With them, you have an early example of the meta-musical, with references from OKLAHOMA! to LES MIZ. And the songs are catchy, witty, and fit into the plot. | |
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| re: Do Movie Musicals Give Musicals a Bad Name? | |
| Posted by: | StanS 02:14 pm EST 11/03/15 |
| In reply to: | re: Do Movie Musicals Give Musicals a Bad Name? - richmurphy 09:39 pm EST 11/02/15 |
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| I'm afraid I can't go along with you on MY FAIR LADY. While there are many things in it that are well done (the end of Just You Wait is imaginatively staged) the problem of Eliza's vocals is fatal. First, the dubbing is atrocious. As soon as Hepburn transitions from dialog to singing there is a change of gears which disrupts the moment. This is not true of the well done dubbing in West Side Story and King and I. Second, Nixon's actual singing just isn't good enough, certainly in comparison with Andrews on the OBC. And yes, the comparison is unavoidable. Again, this is not true of Nixon's fine singing in WSS and K&I. So for me the movie is pretty much unwatchable since every time Eliza starts to sing, I start to groan. | |
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| re: Do Movie Musicals Give Musicals a Bad Name? | |
| Posted by: | Holland 07:45 pm EST 11/03/15 |
| In reply to: | re: Do Movie Musicals Give Musicals a Bad Name? - StanS 02:14 pm EST 11/03/15 |
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| Thank you. I've been meaning to post this exact sentiment for some time and you've just done so perfectly. Everyone complains that Audrey didn't do her own singing, but no one complains that Kerr or Wood didn't do their own singing. Audrey is a perfect Eliza. Marni, a great artist in her own right, just wasn't able to deliver the goods this one time and the film suffers greatly for it. | |
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| re: Do Movie Musicals Give Musicals a Bad Name? | |
| Posted by: | Greg_M 02:25 pm EST 11/03/15 |
| In reply to: | re: Do Movie Musicals Give Musicals a Bad Name? - StanS 02:14 pm EST 11/03/15 |
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| I love the film of "My Fair Lady" and I love Hepburn, but like you, every time Marni Nixon voice comes on I feel there is a hole in the story - the dubbing isn't a good match. Listening to Audrey's vocals/with piano give a more satisfying reading of the show. True Audrey isn't a soprano and can't get above a high C, but her readings are funnier and charming. I would love for the film to be issued with moist of Audrey's voice and a little dubbing by someone who sounds like her | |
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| re: Do Movie Musicals Give Musicals a Bad Name? | |
| Posted by: | Michael_Portantiere 03:16 pm EST 11/03/15 |
| In reply to: | re: Do Movie Musicals Give Musicals a Bad Name? - Greg_M 02:25 pm EST 11/03/15 |
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| "I would love for the film to be issued with most of Audrey's voice and a little dubbing by someone who sounds like her." I can't agree with you on that. Audrey's surviving vocals are very difficult to listen to from a purely musical standpoint, however good they may be in terms of acting. I think she might have been able to handle a lot of the score if they had brought the keys way down, but I guess they didn't want to do that. She does sound quite lovely in those two lines she sings at the beginning of "I Could Have Danced All Night." Something else that takes me out of the movie is that the match between Jeremy Brett's speaking voice and the voice of the performer who dubbed his singing is extremely poor, in my opinion. And in the cases of both Hepburn and Brett, as well as Stanley Holloway, some of the lip-synching in the film is very sloppy. I've been re-watching a lot of MY FAIR LADY in the Blu-Ray release, and my feelings about it remain the same: A great deal of it is very beautifully done, but every few minutes, some major flaw crops up, and as these flaws continue, they keep taking me out of the movie. I do wish those in charge had been more meticulous, but honestly, I don't think Cukor was that kind of a director when it came to matters other than acting. | |
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| re: Do Movie Musicals Give Musicals a Bad Name? | |
| Posted by: | Greg_M 06:41 pm EST 11/03/15 |
| In reply to: | re: Do Movie Musicals Give Musicals a Bad Name? - Michael_Portantiere 03:16 pm EST 11/03/15 |
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| I would believe using many of the tricks of auto tune type programs and finding a better voice match would combine to make a decent musical performance that would sound like Audrey - of course it would never sound like it was written, but at least it would keep me in the film when ever Eliza sings. I know we were able to do many tricks with weak voices in the mixing stage. I'm guessing Michael, you have heard the piano tracks of Audrey floating around - even that version of "Loverly" sounds better than the one on the DVD | |
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| re: MFL, OLIVER, MUSIC MAN | |
| Posted by: | chessmate 09:32 am EST 11/03/15 |
| In reply to: | re: Do Movie Musicals Give Musicals a Bad Name? - richmurphy 09:39 pm EST 11/02/15 |
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| Are three classics that remain very faithful to the stage versions. I don't think a line is changed or a scene added to MY FAIR LADY--OK, maybe Higgians doesn't take a drink before the ball on stage, and a few brief scenes are done differently, but otherwise it's the same story/songs. One can quibble over the casting--Hepburn over Andrews, Jones over Cook--but the performers and the productions are first rate overall. | |
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| "Have some port." | |
| Posted by: | showtunetrivia 06:00 pm EST 11/03/15 |
| In reply to: | re: MFL, OLIVER, MUSIC MAN - chessmate 09:32 am EST 11/03/15 |
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| The entire sequence with Higgins and Pickering urging each other to have some port to quieten the nerves is in the stage libretto. Lerner's detailed stage directions describe Higgins' sneaking a snort behind everyone's back after coolly refusing one earlier. Laura, who is rather fond of port herself | |
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| re: "Have some port." | |
| Posted by: | Ann 06:25 pm EST 11/03/15 |
| In reply to: | "Have some port." - showtunetrivia 06:00 pm EST 11/03/15 |
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| I cannot give a reasonable explanation for why, but I first read your subject line as "Have some pot." | |
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| re: "Have some port." | |
| Posted by: | showtunetrivia 06:56 pm EST 11/03/15 |
| In reply to: | re: "Have some port." - Ann 06:25 pm EST 11/03/15 |
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| I have many vices, but that's not one of them. When I start reading subject lines like that, I blame the bifocals. Laura, imagining Higgins and Pickering lighting up... | |
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| re: "Have some port." | |
| Posted by: | Chromolume 07:22 pm EST 11/03/15 |
| In reply to: | re: "Have some port." - showtunetrivia 06:56 pm EST 11/03/15 |
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| It might have helped Higgins calm down a little, lol. | |
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| re: Do Movie Musicals Give Musicals a Bad Name? | |
| Posted by: | DCollingwood 01:09 am EST 11/03/15 |
| In reply to: | re: Do Movie Musicals Give Musicals a Bad Name? - richmurphy 09:39 pm EST 11/02/15 |
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| I definitely need to revisit My Fair Lady. I actually just listened to the OBC recording a week or so ago so sooner rather than later seems like a good time to watch the film again and get reacquainted. | |
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| re: Do Movie Musicals Give Musicals a Bad Name? | |
| Posted by: | lordofspeech 12:45 am EST 11/03/15 |
| In reply to: | re: Do Movie Musicals Give Musicals a Bad Name? - richmurphy 09:39 pm EST 11/02/15 |
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| Just re-read the second Josh Logan bio. It seems shooting MY FAIR LADY on the back-lot was an imperative for Jack Warner when he chose a director. (Logan wanted to shoot on location in England and was nixed. So, when he pitched himself for CAMELOT, he agreed to shoot it on the back lot. There was a financial kerfluffle, combined with Vanessa's not being available till the fiscal year was up, which made Jack Warner concede shooting locations in Spain with Franco Nero before the fiscal year was up, but the initial choices for directors of both these Lerner-Loewe works hinged on shooting them on the back-lot.) | |
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| re: Do Movie Musicals Give Musicals a Bad Name? | |
| Posted by: | KingSpeed 12:37 am EST 11/03/15 |
| In reply to: | re: Do Movie Musicals Give Musicals a Bad Name? - richmurphy 09:39 pm EST 11/02/15 |
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| South Park movie is a top 20 movie all time | |
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