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re: Digression, but not: diagetic vs. non-diagetic moments in musicals: the "Cabaret" revisal at 54
Posted by: garyd 01:34 am EDT 06/28/17
In reply to: re: Digression, but not: diagetic vs. non-diagetic moments in musicals: the "Cabaret" revisal at 54 - Chromolume 01:04 am EDT 06/28/17

I don't think it has to do with direction. it is clear from the original book, which is excellent, that half the song is actually sung at the party to a group of admiring young men who lose interest half way through, and the other half is sung as "just a sung thought". The number is set up early in the book when Carlotta has a few lines about how men want to know about her until she actually starts telling them. (the script is at the office so I can't quote exactly). I consider it to be one of the finest musical theatre "set ups" for a subsequent song. Simply brilliant. Though, well, maybe not, since I guess the audience does not usually make the connection. Ah well.
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Previous: Wait. But so "I'm Still Here" begins mimetic and becomes diegetic? - Delvino 09:39 am EDT 06/28/17
Next: re: Digression, but not: diagetic vs. non-diagetic moments in musicals: the "Cabaret" revisal at 54 - AlanScott 04:55 pm EDT 06/28/17
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