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re: Why "Come from Away" Didn't Win The Tony
Posted by: kidmanboy 05:26 am EDT 07/07/17
In reply to: Why "Come from Away" Didn't Win The Tony - BillEadie 01:27 am EDT 07/07/17

DEH is certainly no Producers or Billy Elliot. It does not have flashy choreography, costumes, or sets. It is, to its admirers, a story told very well that uses the conceit of musical theater to enhance the emotion and storytelling.
To me, while CFA is a compelling story and the staging was theatrical, the chronological and very literal telling of events, both in the book and the lyrics, didn't provide anything I couldn't have gotten from reading a magazine article, watching a movie, etc. No, there doesn't have to be a big musical number, but there should be memorable musical moments in a truly successful musical - and I don't mean a hummable melody. I mean the synergy of lyric, music, and story that only happen in musical theater.
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re: Why "Come from Away" Didn't Win The Tony
Posted by: knud17 05:30 pm EDT 07/07/17
In reply to: re: Why "Come from Away" Didn't Win The Tony - kidmanboy 05:26 am EDT 07/07/17

And musically I felt it all combined into one musical experience instead of a series of songs. I was one well crafted opus. I loved the story telling technique and thoroughly enjoyed the music.


Aaron
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