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A Conversation with Theodore Bikel
HS: You and Tevye have had quite a relationship over the years. When did you first come to know the character? TB: When I was a young boy. My father used to read the Tevye stories around the dinner table and after dinner. HS: One of your very first professional roles was in a straight play about Tevye. How did that job come about? TB: I was in Israel at the time - it was Palestine then, it wasn't even called Israel yet - and a theatre company there did a play called Tevye the Milkman. I was a young theatre student, and they pressed me into service and made me play the constable. I had twenty-nine words to say! HS: From Israel you went on to London's Royal Academy of Dramatic Arts and there you met one of the world's theatre greats. TB: Yes. Laurence Olivier directed A Streetcar Named Desire starring Vivien Leigh, and I was fortunate enough to be cast not only in the play but also to be given the understudy of both of the male leads. And I got to play them both. HS: Several roles in London followed that production before you moved on to the United States and New York ... TB: Yes, but it was those early days that really launched me. HS: Fiddler on the Roof is certainly one of your most well known roles, but you also had a very important role in the original Broadway production of The Sound of Music. TB: Oh yes. HS: When that production was getting off the ground, did you ever have an inkling that it would become such an international sensation? TB: It really became a sensation when it became a film, and naturally the Broadway production preceded the film, so ... HS: In the production, you played Captain Von Trapp of course, and shortly after you began in Fiddler. TB: Yes, 1967 I began in Fiddler. That was the first national touring company. HS: And since then you've played the role over ... TB: By now over 1750 times. But that's misleading ... People get fascinated by numbers! To me, if you do a lousy play twice, it's too many times. HS: After doing it so many times, is it still as fresh, night after night? Do you enjoy it just as much? TB: The whole object of the job of being a professional is to keep the work fresh. It's not the audience's fault that I've said the words before! HS: You've been touring with the current company since October. What is the production's future after Atlanta? TB: Atlanta is the last stop of this tour. Then there is a summer hiatus, and then we go out again in November. HS: How's Boston so far? TB: Terrific! Before this we were in Wolftrap outside of Washington, and that was an unbelievable week. We played to some 50,000 people. HS: And outdoors at that! TB: Yes! HS: In addition to acting, you've been a humanitarian and civil rights activist. Tell me a little about your work in that field. TB: Everything that I've done and that I've lived through has really informed a commitment I have. I'm not just somebody who mouths words or sings songs on the stage; I'm also a human being, and that counts for something. HS: You were also the co-creator, co-author, and co-star of a show about Shalom Aleichem, who wrote the original Tevye stories. How did that particular show come about? TB: He's the signature Yiddish writer and both a humorist and an observer of human nature of the first order. He's a source of material that's almost never-ending. He wrote many other books and novellas and they all furnish great, great sources of humor and human introspection ... HS: The show, Greetings ... Shalom Aleichem Lives!, premiered in Florida in 1997. Does it have any future prospects at the moment? TB: It's possible, yes. HS: Is Fiddler your main project at the time? TB: Yes ... I mean, doing eight shows a week ... That's a lot on your plate! (laughs) Fiddler on the Roof starring Theodore Bikel plays at the Fox Theatre June 26 - July 1. Contact Ticketmaster at (404) 249-6400 for ticket information. Fiddler is a presentation of Theatre of the Stars.
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