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Boston by Suzanne Bixby


The Blue Demon

The Blue Demon at the Huntington Theatre now through February 2nd is the world premiere of an extravagantly beautiful 90 minutes of storytelling written and directed by Resident Director Darko Tresnjak. Using deceptively simple traditions of stagecraft and storytelling, he and composer Michael Friedman use live actors, onstage musicians and puppets to tell a culturally diverse collection of ancient fables that stand the test of time and offer a little moral for today.

Like Metamorphoses, Mary Zimmerman’s Tony Award-winning jolt in the arm for “story theatre,” Tresnjak’s production also evolved from his work with student-actors. While Zimmerman’s stories from Ovid had their genesis in a pool at Northwestern University, Tresnjak’s collection of folktales was brought to life in a field at the Williamstown Theatre Festival in the summer of 1998.

The Blue Demon
Photo: T. Charles Erickson

To set the evening of storytelling in motion Tresnjak draws upon “The Hunchback’s Tale,” the story of a Jew, a Christian and a Muslim drawn together by their assumed complicity in the demise of the Sultan’s favorite storyteller. Scheherazade sets the framework for the rest of the stories by suggesting one of the accused might replace the lost Jester. Each must now compete to chase away the Sultan’s “blue demons” and cure his insomnia with a story.

Unlike Metamorphoses, which is a collection of stories of varying lengths, we now know we’re in for a series of three roughly equivalent presentations. In something of a Commedia dell'Arte tradition, rather than distributing the roles amongst his company of professional and student actors, Tresnjak assigns equivalent parts to the same ones in each of the unfolding tales. While diverse enough to make the company seems three-fold larger, each actor excels only in particular roles.

Brian Sgambati (the juvenile) is an unremarkable husband in “The Tailor’s Tale” and a generic prince in “The Scrivener’s Tale,” but he pops to life as The Beggar in “The Jeweler’s Tale.” Likewise, Anna Belknap (the ingénue) struggles with the sexuality of The Wife, is enchanting as The Princess and then unconvincing again as The Last Virgin. Tom Flynn (the old man) is “two for three” as a delightfully slimy Wizard, a convincingly morose King, but an undistinguished Old Sultan. Another who does triple duty is Tom Flynn. We first see him as the victim in “The Hunchback’s Tale.” He reappears as The Servant in the first story and, most endearingly, brings The Peddler to life in the third.

In a program note Artistic Director Nicholas Martin confesses that “as a rule al fresco theatre with puppets is my idea of hell,” but goes on to say that the original production enchanted him because of Tresnjak’s blending of diverse theatrical elements to weave a story “simply and engagingly.”

By offering the full resources of The Huntington Theatre to mount the world premiere of The Blue Demon, Martin has perhaps undermined some of that original spirit. Much credit goes to Scenery Designer David P. Gordon, Costume Designer Linda Cho, Lighting Designer Rui Rita for making this an enchanting evening. And mention must also be made of the work done by props master Kris Holmes to create the puppets Tresnjak designed.

But stripped of these gorgeous trappings, the script in its present form wouldn’t hold up. The requisite attempt to spice things up with contemporary references and sensibilities falls flat. Perhaps, given more time, this company could invest more of themselves into the creation and find the right balance of anachronisms.

It’s also too bad that an unnecessary “adult” spin makes this production, which would otherwise be a wonderful introduction to the magic of theatre, unsuitable for younger children. Two of the three main stories have themes of a sexual nature and, while there’s no nudity, strong language or unnecessary violence, the staging does warrant the caution.

As usual, The Huntington offers the following ongoing special events to enrich what already promises to be a cure for those mid-winter “blue demons.”

Humanities Forum
Sunday January 12 following the 2pm matinee
The Huntington production staff will discuss and demonstrate, on stage, a behind the scenes look at the designs and special effects for The Blue Demon. (Free and open to the public.)

Club Nights
Thursday, January 9 a 6pm pre-show reception for theatergoers 35 and under (sponsored by The Boston Phoenix) Wednesday, January 15 a 6pm pre-show reception for the gay and lesbian community (sponsored by Bay Windows) Free with purchase of a ticket for the evening performance, but call for a reservation.

Actors Forum
Thursday, January 16 following the 7:30 performance
Wednesday, January 29 following the 2pm, matinee
Members of the cast from The Blue Demon reappear on stage after the show for a dialogue with audience members.

And for this production only, two additional special offers:

Family Day matinee
Saturday, January 25 at 2pm
Receive one free child's ticket (up to age 18) for every adult ticket purchased (subject to availability. Please note: The Blue Demon is not recommended for children under the age of 8.

The Blue Demon Cocktail
Area restaurants (Ambrosia on Huntington, Aquitaine, Betty’s Wok & Noodle Diner, House of Blues, Jake Ivory’s and Spire) have concocted versions of “The Blue Demon Cocktail.” Drink one and receive a $5 off coupon; drink all six and receive a free ticket with the purchase a full-priced one.

The Blue Demon is at the Huntington Theatre, 264 Huntington Avenue in Boston now through February 2nd. For additional information and tickets call the Huntington Box Office at 617 266-0800 or visit www.huntingtontheatre.org. Tickets also available from Ticketmaster at 617 931-2787.


See the current theatre schedule for the Boston area.



-- Suzanne Bixby



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