Talkin' Broadway HomePast ColumnsAbout the Author

Washington DC by Susan Berlin

The Imaginary Invalid

Also see Susan's review of This Beautiful City

Director Keith Baxter says in his notes for the Shakespeare Theatre Company production of The Imaginary Invalid that he is attempting to present Molière's last play at Washington's Lansburgh Theatre in much the same form as Paris audiences first saw it. Specifically, he is presenting the performance of February 17, 1673, when the author played the title hypochondriac and died soon after the curtain came down.

The problem is that a contemporary audience has expectations different from those of the court of Louis XIV. These days, dancing shepherdesses—even with choreography by Broadway veteran Gillian Lynne and the original music by Marc-Antoine Charpentier—and stylized interactions between commedia dell'arte lovers don't reinforce the author's primary satire of overly confident and under-qualified doctors; they detract from it and slow it down.

Left to the main plot, Baxter keeps the farcical complications going at a respectable speed. René Auberjonois, in his Shakespeare Theatre debut, is a delight in the title role of Argan, a man who spends his life worrying about the illnesses he doesn't really have. (As Molière showed in this and other plays, the 17th-century practice of medicine was as regimented and tradition-bound as the classical theater. Theory and memorization took precedence over research, and most treatments seem to have consisted of bloodletting and enemas.)

Washington favorite Nancy Robinette matches Auberjonois gesture for gesture and facial expression for expression as Toinette, Argan's insubordinate maid. Toinette's major role in the plot is to help persuade Argan to consent to the marriage of his daughter Angélique (Gia Mora) to the man she loves, Cléante (Tony Roach), rather than the young doctor Thomas Diafoirus (the hilariously deadpan Levi Ben-Israel), whose empty head—one can almost hear air blowing through his sinuses—is balanced by generous endowments elsewhere.

Kaitlin O'Neal gives a full-bodied performance (in more ways than one) as Béline, Argan's greedy second wife, and Emily Whitworth is pleasingly natural among the artifice as Louison, Argan's younger daughter.

In keeping with Baxter's concept of archaic stagecraft, Simon Higlett has designed a set of brick walls, panels of cracked and weathered-looking wood, two-dimensional drops, and occasionally a reversible piece of scenery, as when Argan's bed converts into a balcony. Robert Perdziola adds to the atmosphere with his sumptuous costume designs.

Shakespeare Theatre Company
The Imaginary Invalid
June 10th – July 27th
By Molière, adapted by Alan Drury
Molière/Argan, an imaginary invalid: René Auberjonois
Toinette, maid servant to Argan: Nancy Robinette
Angélique, daughter to Argan: Gia Mora
Béline, second wife to Argan: Kaitlin O'Neal
Bonnefoi, a notary/Purgon, a physician to Argan: Drew Eshelman
Cléante, lover to Angélique: Tony Roach
Diafoirus Sr., a physician/Gorgibus: John Robert Tillotson
Thomas Diafoirus, his son: Levi Ben-Israel
Louison, Argan's youngest daughter: Emily Whitworth
Fleurant, an apothecary/Sganarelle: David Manis
Béralde, brother to Argan/Pulchinello: Peter Land
Valere/Harlequin: Vince Eisenson
Lucile/Columbine: Kara Quick
Flora/Sabine: Anne Stone
Gros-Rene: Todd Scofield
Boy: Ian Pedersen
Members of the Troupe: Leslie Sarah Cohen, Danielle Davy, Chris Dinolfo, Keith Scott McDonald, Marissa Molnar
Directed by Keith Baxter
Harman Center for the Arts, Lansburgh Theatre
450 7th St. N.W.
Washington, DC
Ticket Information: 202-547-1122 or 877-487-8849 or www.shakespearetheatre.org.


-- Susan Berlin


Also see the Current Theatre Season Calendar for D.C.



Terms of Service

[ © 1997 - 2014 www.TalkinBroadway.com, Inc. ]