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Washington DC by Susan Berlin

Henry VIII

Henry VIII
Naomi Jacobson
In honor of the 500th anniversary of Henry VIII's accession to the English throne, the Folger Theatre in Washington is presenting a fascinating production of William Shakespeare's seldom-seen play about the monarch. Shakespeare's Henry VIII is clearly what a modern audience would consider a "docudrama" rather than straightforward history—the author, of course, was writing for Queen Elizabeth I, the king's daughter by a controversial second marriage—but that does not mean the play lacks insight or deeper truth.

Director Robert Richmond has devised a way to tell the story without too much elaborate pageantry: by presenting the court intrigues through the eyes of Henry's jester, Will Sommers (Louis Butelli). He serves as a master of the revels (or, perhaps, a master of ceremonies as in Cabaret), whether onstage or off: he cues the actors, controls the scenes, and plays several small roles, serving as the metaphorical power behind the king's throne. The addition of this character also allows for the appearance of an unreliable narrator, so the audience can wonder just how much to trust the truth of the story.

Aside from all that cleverness, this is a great, full-blooded drama, set in a world of political betrayal and sycophancy. The stakes in this case may be life and death, but the game of politics hasn't changed that much over the centuries.

People who know Henry (Ian Merrill Peakes) for his six marriages may not realize that his marriage to Katherine of Aragon (Naomi Jacobson) had lasted 20 years when he met Anne Boleyn (Karen Peakes). In Shakespeare's version of the story, the king's actions—as he sought a divorce from Katherine and ultimately defied the pope to establish the Church of England—could actually be blamed on the machinations of the powerful, widely detested Cardinal Wolsey (Anthony Cochrane).

Ian Merrill Peakes lives up to the legend, presenting a Henry who is supremely confident and certain of his actions, even at times when he should be wary. He is well matched by Jacobson, who conveys majesty even in her moments of despair. (Her accent is uncertain at times, though; Katherine was a Spanish princess, but Jacobson often sounds Irish.) Karen Peakes is a guileless Anne, while Cochrane makes visible Wolsey's constant scheming. Butelli slips into and out of his many roles, but the point is that he is always the jester impersonating members of the court.

Tony Award-winning costume designer William Ivey Long brings the splendor of Henry's court to life through rich brocades, gold embroidery, and jeweled trimmings. Tony Cisek's scenic design is more austere but just as evocative, with wrought-iron latticed screens that suggest a church confessional and a circular balcony rising above the stage.

The play is not the only reason to visit the Folger Shakespeare Library this fall. The Great Hall adjoining the theater currently offers an exhibition of original materials from Henry's reign, including letters, portraits, and rare books and manuscripts.

Folger Theatre
Henry VIII
October 12th - November 21st
By William Shakespeare
Secretary to the Cardinal/Lord Chamberlain/Cranmer: Nathan James Bennett
Will Sommers playing the roles of Surveyor, Cromwell, Old Lady, and others: Louis Butelli
Cardinal Wolsey: Anthony Cochrane
Lord Sands/Earl of Surrey/Gentleman: Michael Glenn
Queen Katherine: Naomi Jacobson
Duke of Buckingham/Griffith: Stephen Patrick Martin
King Henry: Ian Merrill Peakes
Anne Boleyn: Karen Peakes
Duke of Norfolk: Lawrence Redmond
Duke of Suffolk: Todd Scofield
Lady of the Court: Megan Steigerwald
Directed by Robert Richmond
201 E. Capitol St., S.E.
Washington, DC
Ticket Information: 202-544-7077 or www.folger.edu


-- Susan Berlin


Also see the Current Theatre Season Calendar for D.C.



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