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St. Louis by Richard Green

Noises Off
Clayton Community Theatre

Also see Bob's reviews of The Fantasticks and Crime and Punishment

Noises Off
The Cast
Certain things always seem a bit more normal backstage: a turbulent romance; an unusual injury; and at least one temperamental explosion. Director Tim Kelly raises up an infinity of each in this blindingly fast, remarkably graceful production of Michael Frayn's popular farce.

Farce may be the most demanding theatrical genre, because it requires mechanical precision and split-second timing, in a cycle of events that must seem to spiral out of control, without ever actually doing so. Here, an amazing cast seems to defy the laws of physics, accelerating beyond the speed of light at times, in their slavish devotion to the perfection of chaos.

I thought Jack Abels, playing the actor cast as a tax-dodging playwright, might take the prize for physical comedy—until Ed Cole, playing the actor playing a young rake, went stumbling backward down a long, dog-leg staircase (Mr. Cole also has the keenest sense of comedic outrage, jealousy and panic in the cast). Chrissy Young throws herself into the satirical role of his beautiful bimbo, in a fine burlesque of Burlesque, and Tracy Murphy keeps herself in the background with a masterfully brittle tremor (as the actress playing the writer's wife) till things really start going off-track.

There are people who don't like "backstage comedies," but I defy anyone to look down on the literal backstage comedy of act two in this incarnation. For sheer knockabout ballet, once the big set has been turned around, the actors "behind the scenes" seem to do the impossible about every fifteen seconds in a nearly silent comedy that's astonishing and (for all I know) highly dangerous.

Tom Bell, a larger-than-life actor with a watchmaker's attention to detail, plays the alcoholic, undependable actor who (in turn) plays the comical burglar-giving us two distinctly different parts in the bargain: as Selsdon Mowbray (the actor) he's pathologically apologetic and childlike (which is horrifying, because it always excuses him from whatever infraction he's just committed); and as the Burglar, he's a straight-out baggy pants musical hall professional. And Reynard Fox, as the on-stage director, combines the haughtiness familiar to any theater-person, with the requisite panic as things veer out madly of control.

But the actual director, Mr. Kelly, does something very interesting here: he keeps the performances fairly low-key, which is to say, the audience must draw closer and closer to see some of the characterizations in detail. And as a result, when the comedy becomes explosive, it practically leaves powder burns on our faces. Jadienne Nolan, as the actress playing the housekeeper, dawdles pleasantly along out front, and is quite funny in the opening scene (as the exhausted and confused actress), where Mr. Fox bedevils her with the usual myriad details of any old farce; and then (with juts as much ferocity as any of the others) she kicks it into high gear when the second act blasts off "back stage." But it's a little strange to endure the quiet before the storm, as her "housekeeper" character seems a bit wan, probably because of that contrast the director is trying to set up.

At the end of it all, the script does sort of come to a full stop about a minute or two before the curtain, and the "bows" are hampered by shout-out lines from each cast member, which interrupt the applause. But (short of stealing the "reenactment finale" from Lend Me a Tenor) I'm not sure if anything can or should be done about that. That second act whirlwind alone is worth the price of admission.

Noises Off through March 28, 2010 at the new South Campus of Washington University, 6501 Clayton Rd., St. Louis 63117, across from the Esquire Theater. Parking is on the west end of the property, the former CBC high school. For information call (314) 721-9228 or visit them online at www.placeseveryone.org.

Cast
Frederick Dallas/Phillip Brent: Jack Abels
Selsdon Mowbray/Burglar: Tom Bell
Tim Algood: Jeffrey A. Berkbigler
Garry Lejeune/Roger Tramplemain: Ed Cole
Lloyd Fellowes: Reynard Fox
Poppy Norton-Taylor: Kellie Honey
Belinda Blair/Flavia Brent: Tracy Murphy
Dotty Ottley/Mrs. Clackett: Jadienne Nolan
Brooke Ashton/Vicki: Chrissy Young

Crew
Director/Technical Director: Tim Kelly
Assistant Director: Dani Mann
Assistant Stage Managers: Jessica LaBozzetta, Jonathon Small
House Manager: Betsy Jones
Lighting Design: Nathan Schroeder
Light Board Operator: Gilbert Nussbaum
Sound Board Operator: Jonathon Small
Sound Effects/Design: Tom A. Bell
set Design: Tim Kelly
Costume Design: Sonia Beard
Make-Up/Hair: Lauren Yates, Jenny Valentino, Amy Learn
Props/Run Crew: DeLyle Bowen, Vickie Fenton, Mary Klein, Beth Kuppinger, Jadienne Nolan, Gwenneth Rausch
Dialect Coach: Dave Emberson
Signage: Steve Richardson
Videography: Shannon Wiseman
Program: Karl Topp


Photo: John C. Lamb


-- Richard T. Green

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