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Mary Poppins Venice Theatre
Also see Bill's review of [title of show]
Logan O'Neil and Renee Cordonnier
| Venice Theatre is offering the area premiere of the stage version of Mary Poppins, based on the 1964 Walt Disney movie and co-created by Cameron Mackintosh. I have not seen this version before and now that I have, I don't find it effective. The movie has been one of my favorites since the first time I saw it at age 13 at the Gary Theater in Boston, a first run, state of the art movie theater. The movie definitely sweetens P.L. Travers more acerbic stories. The songs by Richard M. and Robert B. Sherman and the screenplay by Bill Walsh and Don DaGradi are perfectly in synch. Cameron Mackintosh wanted to bring his version closer to the original, darker. English Composer George Stiles and lyricist Anthony Drewe (Honk and Just So), a team I have admired in the past, have contributed new material that is not emotionally in harmony with the Sherman brothers songs. Only "Practically Perfect" and "Give Us the World" seem to be a comfortable fit. The story line of the movie is concise if episodic; Mary Poppins takes Jane and Michael Banks on a series of adventures and as their experiences change them, the dynamics of the family are changed. The stage show's book by Julian Fellowes is a mess, never clearly focused on either the family or the children. There might be a stage musical in the Mary Poppins stories, possibly even one by Stiles and Drewe, but the Disney-Cameron Mackintosh version is not it.
Venice Theatre has given Mary Poppins a rum go with strong performances in the leads, Renee Cordonnier as Mary Poppins and Logan O'Neil as Bert. She sings well and manages the stiff backed presence that this version of Mary Poppins requires. He is full of insouciance balanced with a natural charm, wonderful as Bert guides us through the story. The rest of the cast is uneven; some supporting parts are well taken, others not so much. The big dance number "Step in Time" is well done, led by Mr. O'Neil's fine dancing, but even when he retreats three or four ensemble members dance well in his absence.
The finest parts of this production are the beautiful sets by Tim Wisgerhof and the fabulous, wonderfully colorful costumes by Nicholas Hartman. This version demands multiple settings and Mr. Wisgerhof delivers one of the most lavish productions I have ever seen in community theater. Mr. Hartman's costumes have always been on such a high level that when he left Venice Theater to pursue other ventures a few years ago, he got quite a write up in Sarasota's local newspaper. It is great to have him back and Mary Poppins is some of his very best work. Director Murray Chase and choreographer Geena Ravella have managed to keep this very large production focused. Music director Michelle Kasanofsky conducts well. I was not really all that impressed by the Flying Effects provided by ZFX, Inc., but friends tell me that those seen in the Broadway production were underwhelming as well.
Bravo to Venice Theatre for attempting a production on this scale. Judging by the audience members at the performance I attended, my opinion may be a minority onemost everyone else seemed to love Mary Poppins.
Venice Theater presents Mary Poppins through March 15, 2015. 140 West Tampa Ave., Venice, FL Box Office (941) 488-1115 www.venicestage.com.
Cast: Mary Poppins: Renee Cordonnier Bert: Logan O'Neil George Banks: Douglas Landin Winifred Banks: Lisa Figueroa Jane Banks: Kiley Berkery or Natalie Taylor Michael Banks: Ryan Hunek or Logan Schultz Katie Nanna (and Mary Poppins understudy): Jessica Tasetano Policeman/Park Keeper/Von Hussler: Bob Peters Miss Lark: DaNiesha Carr Admiral Boom/Bank Chairman: Douglas Snure Mrs. Brill: Kristi Hibschman Robertson Ay: Charlie Kollar Mrs. Corry: Lisa Revis Neleus/Fannie: Sean London Young Miss Smythe/Annie: Teri DeNiro Northbrook/Punch: Gary Grossman Bird Woman: Ruth Shaulis Valentine: Timothy-Michael Chastain Teddy Bear: Parker Lawhorne Doll: Makenzie Callahan Miss Andrew: Angela Benardo Ensemble: Jillian Alexander, Amy Blake, Melyssa Dawson, Antoinette Gagliano, Emma Gallagher, Arta Hajroja, Chloe Marchand, Isabella Smith, Haley Vidolin, Grace Wickerson
Director: Murray Chase Music Director: Michelle Kasanofsky Choreographer: Geena Ravella Assistant Director: Sean London Young Stage Manager: Lisa Million Sound Designers: Dorian boyd, Jaclyn Ledoux Costume Designer: Nicholas Hartman,br>Scenic Designer: Tim Wisgerhof Lighting Designer: Ryan Mueller Light Board Operator: Lisa Million Sound Board Operator: Kitty Leonowicz Backstage Crew: Melody Actouka, Jeff Cochran, Tiffany Coffman Backstage Dressers: Dawn Bombard, Beverly Bright, Ann Geise Fly Rail Operators: Bill Johnson, Mark Richardson Spot Light Operators: Nate Oss, Deb Polk Hair/Wig Designers: Terry Oxboel, Sean London Young Make-up Designer: Parker Lawhorne Hair/Make-up Stylists: Marmony Caie, Matthew Ignotis, Vanessa Ivanko
Conductor/Keyboards: Michelle Kasanofsky Keyboards: Michelle Neal Trumpet: Tim Eaton Reeds: Ellen Wittman Jamie Marshall Drums: Joel Broome
Photo: Renee McVety
--William S. Oser
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