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re: The Legend of Georgia McBride
Posted by: Michael_Portantiere 04:52 pm EDT 10/26/17
In reply to: re: The Legend of Georgia McBride - gothamplaygoer 02:33 pm EDT 10/26/17

"My point is that it is often hard to know whether a role in a new play has been filled by an actor of color because of or irrespective of that consideration so that the audience knows whether to notice or ignore it."

Agreed, and I don't think it only applies to new plays. I have already read and heard some people wonder if, for example, Joshua Henry will play Billy Bigelow as if the character is actually a black man, or if rather this should be viewed as "color-blind casting."

As you noted, it can be very hard to know the intent for sure unless the actor or the director makes a statement about it in interviews. Whenever this issue comes up for discussion, I remember what S. Epatha Merkerson said around the time she did COME BACK LITTLE SHEBA -- that she doesn't like the term "color-blind casting" because, she said, "It makes me feel like I'm not there."
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re: The Legend of Georgia McBride
Posted by: gothamplaygoer 05:01 pm EDT 10/26/17
In reply to: re: The Legend of Georgia McBride - Michael_Portantiere 04:52 pm EDT 10/26/17

I thought it was an extremely interesting example of "reverse" alternative casting when Christine Lahti was cast in the role of Hester in Signature's revival of Fucking A, a role traditionally played by a black actor. It removed race as a source of her oppression and put the emphasis on class instead, giving the play an entirely different slant. I assume the playwright wanted to see how it played with an alternate interpretation. It worked beautifully.
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