I thought LA LA featured songs and lyrics*consistent with the voices of the young, starry eyed characters. And the film is a stylized fable. Even the L.A. portrayed is through a specific prism, and shot to look like -- well, LA in a musical film. (I lived there 9 months, and commuted regularly; I have some integrity behind my observation.)
I feel like the jury is still out on this team, an admittedly ludicrous statement in light of their success. They are wisely taking advantage of being the flavor of the year(s). I remember when Ashman and Menken went Disney, and many bemoaned losing theater folk to commercial factories. But Menken produced some of the most beloved melodies, ever (and Ashman, tragically gone before his time, was a muse who inspired). Songwriting isn't profitable without some corporate investment, with few exceptions. I hope the next show or film is ambitious. Now watch these Showman songs take off in Karaoke heaven forever.
*Re-listen to "Someone in the Crowd" or "Another Day of Sun" and getting those dance breaks out of your head. They are unique songs that way -- those instrumental sections are actually the hooks, not the lyric-driven verses or chorus. |
