| Setting aside your (honest) take on the show, I don't think there is any mystery about why the other 3 shows you lump with this got real estate. All arrived with some combination of pedigree, stars, proprietary interest, etc. Re OOTI, and Circle, the bottom line is that (a) it is a tough venue to book because of both physical and financial (rehearsed in my earlier post) challenges to a producer and (b) the process that animates decisions at Circle is sui generis on Broadway. |
