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| Baayork Lee sits down with Robert Viagas and the League of Professional Theatre Women | |
| Posted by: Official_Press_Release 02:09 pm EST 01/17/18 | |
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| THE LEAGUE OF PROFESSIONAL THEATRE WOMEN Presents an Interview with Broadway Performer, Director, and Choreographer BAAYORK LEE Interviewed by Founding Editor of Playbill.com ROBERT VIAGAS Monday, FEBRUARY 12, 2018 at 6PM Produced by Betty Corwin in association with Pat Addiss and Sophia Romma Bruno Walter Auditorium New York Public Library for the Performing Arts 65th Street & Amsterdam Avenue FREE ADMISSION Bayork Lee On Monday, February 12 at 6:00 pm, the League of Professional Theatre Women (LPTW), dedicated to championing women in theatre since its inception and an authority at the forefront of the conversation about gender parity in American theatre for 35 years, is presenting Broadway Performer, Director, and Choreographer, BAAYORK LEE. Lee, who originated the role of Connie in A Chorus Line, will be discussing her extensive life and work in the theatre with theatre writer ROBERT VIAGAS, her collaborator and biographer on their book, "On the Line: the Creation of A Chorus Line".The event will take place in the Bruno Walter Auditorium of the New York Public Library for the Performing Arts on 65th Street & Amsterdam Avenue. Admission is free, seats are available on a first-come-first-seated basis. Doors open at 5:30PM, and it is recommended that members of the public arrive at the Bruno Walter Auditorium by 5PM to secure a seat. “I first met Baayork in 1975 when the Library videotaped Michael Bennett's original A CHORUS LINE at the Public Theatre,” says producer Betty Corwin. “Baayork had become Michael’s closest collaborator and since he died in 1987 she has directed or choreographed 35 International productions of the musical. In addition, Baayork is acknowledged and appreciated for committing herself to the National Asian Artists Project and theatre eduction programs around the world. I am so proud to know her.” The League has major support from the Edith Meiser Foundation covering interviews with such notables as Billie Allen, Mercedes Ruehl, Tyne Daly, Patti LuPone, Christine Ebersole, Kia Corthron, Donna Murphy, Frances McDormand, Laura Linney and many others. The ongoing Oral History Project chronicles and documents the contributions of significant theatre women in all fields. The interviews are videotaped and preserved for posterity in the Theatre on Film and Tape Archive at the New York Public Library for the Performing Arts at Lincoln Center. This program is made possible, in part, with public funds from the NYC Department of Cultural Affairs, in partnership with the City Council, and with funds from the NYS Council on the Arts, a state agency, with the support of Governor Andrew M. Cuomo BIOGRAPHIES BAAYORK LEE has performed in a dozen Broadway shows and created the role of Connie in A Chorus Line. As Michael Bennett’s assistant choreographer on A Chorus Line, she has directed and choreographed many national and international companies in Klagenfurt, Austria, Santiago, Chile, Hollywood Bowl and Pace University. Her directing and choreography credits also include; The King and I and Bombay Dreams (National tours), R&H’s Cinderella (NYC Opera), Barnum (Australia), Carmen Jones (Kennedy Center), Porgy and Bess and Jesus Christ Superstar (European tours), Gypsy and A New Brain. She has also choreographed shows including; Miss Saigon (KC Starlight), Mack and Mabel (Shaw Festival), Animal Crackers, South Pacific (Helen Hayes nominations,) Coconuts, Camelot, and Damn Yankees all at Arena Stage in Washington, DC. Through her nonprofit organization, National Asian Artists Project, Baayork’s vision includes educating, cultivating, and stimulating audiences and artists of Asian descent through the many programs the company offers. The organization has produced classical musical theatre shows such as Oklahoma!, Carousel, Hello Dolly!, and OLIVER! with all Asian-American casts. NAAP has made audiences more aware that talent goes beyond ethnicity. Most recently, Baayork Lee was the recipient of the 2017 Isabelle Stevenson TONY Award. Ms. Lee was honored for her commitment to future generations of artists through her work with National Asian Artists Project and theatre education programs around the world. ROBERT VIAGAS transformed theatre journalism as the architect and founding editor (1994) of the first and still biggest theatre site on the web, Playbill.com. He enjoyed the rare honor of serving on the nominating committee for the Tonys (2012-2014). He hosted the Tony Awards webcasts from 2002 to 2008, and was editor of the special Tony Awards Playbill from 2002 to 2010. The New York Times’ CyberTimes described him as “encyclopedic” in his knowledge of Broadway. Among his other books, he was chosen by the creators of the original The Fantasticks to tell their story in The Amazing Story of “The Fantasticks” (Citadel). On the Line was translated into Japanese and published in Japan and his 2012 book Scales to Scalpels (with Lisa Wong) was translated into Chinese and published in China. When it comes to the challenging but fruitful area of collaboration he literally wrote the book on it—The Alchemy of Theatre (Applause Books), in which he worked with the likes of Edward Albee, Wendy Wasserstein, Hal Prince, Chita Rivera and others to codify how one collaborates in the world of theatre. His 2009 book I’m the Greatest Star! (Applause) contained biographies of the 40 people he considered the most brilliant stars of Broadway musical history, from George M. Cohan and Fanny Brice to today’s Nathan Lane and Sutton Foster. The book was adapted by Viagas and Bob Spiotto as a stage musical and presented at Hofstra University that same year. His other librettos include City of Light with Beverly Ross and Tom Spahn, and Perfect World with Rebecca Yanes and Larry Spivak. The latter two have both have had readings in New York. ABOUT THE LEAGUE OF PROFESSIONAL THEATRE WOMEN: The League of Professional Theatre Women is a not-for-profit 501 (c)(3) organization which exists to champion women in theatre. For over 35 years, LPTW has been leading the gender parity conversation in professional theatre, offering programming, events, and advocacy initiatives which provide visibility and opportunities for women. Since its founding, the League’s membership has grown to 500+ members of theatre artists and practitioners of all backgrounds, across multiple disciplines, working in the commercial and non-profit sectors. To promote visibility and increase opportunities for women in the field, LPTW spearheads events, public programming, advocacy projects, and media and publications that celebrate industry luminaries, preserve the legacy of historic visionaries, raise awareness of the importance of nurturing women’s voices, and shine a spotlight on the importance of striving for gender parity and of fostering a diversity of expression, both in the theatre world and world at large. In 2015, the LPTW issued its Women Count Report, a study of the hiring of women Off-Broadway over the course of five seasons. The findings in this widely-acclaimed study led to the LPTW Seal of Approval initiative, which awards theatres in the off-Broadway community that have achieved 50/50 gender parity or better in their seasons. None of the LPTW’s work is possible without generous philanthropic support to find out more, please visit the website www.theatrewomen.org and click on the “Support Us” tab. |
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