Threaded Order Chronological Order
| 2004 | |
| Posted by: Chazwaza 03:21 pm EDT 04/04/18 | |
| In reply to: Great Tony Debates - GabbyGerard 02:07 pm EDT 04/04/18 | |
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| That year is really the biggest offense to me because not only was Caroline or Change BY FAR the most deserving show and even if it lost Best Musical to more crowd pleasing shows, it should have easily taken Best Book and Best Score, but Tonya Pinkins should AT LEAST have won for her unbelievable performance of one of the most challenging roles in musical theater... giving it to Idina who was pretty good in a good role, was embarrassing. And yes Carolee really did deserve it for Parade over BP... but BP deserved it for Gypsy much more than MJK in Hairspray, I thought. But the crazier one to me that year was Antonio Banderas losing for Nine to Harvey for Hairspray. |
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| re: 2004 | |
| Posted by: mikem 06:06 pm EDT 04/04/18 | |
| In reply to: 2004 - Chazwaza 03:21 pm EDT 04/04/18 | |
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| I didn't see Pinkins, but I didn't think Menzel gave the best performance in her category in the show, let alone for the whole season. | |
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| re: 2004 | |
| Posted by: Chazwaza 08:06 pm EDT 04/04/18 | |
| In reply to: re: 2004 - mikem 06:06 pm EDT 04/04/18 | |
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| I think they somehow felt they owed it to her, not in small part because of the requirements of the show - a tough vocal role and being covered in green make up every day... plus being one of the forces being that blockbuster show. I also assume most voters actually SAW Wicked but maybe didn't get to Caroline. Also, I think they felt the need to make a star out of Menzel, or validate her being a fresh young broadway star by giving her a Tony. In another year, with less amazing nominees doing less incredible material, she might have deserved it, but not that year. |
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| re: 2004 | |
| Posted by: JohnPopa 03:47 pm EDT 04/04/18 | |
| In reply to: 2004 - Chazwaza 03:21 pm EDT 04/04/18 | |
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| I guess losing track of the years, I always thought Pinkins did win for 'Caroline or Change.' Or maybe my memories are just trying to correct things :) | |
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| re: 2004 | |
| Posted by: Chazwaza 04:12 pm EDT 04/04/18 | |
| In reply to: re: 2004 - JohnPopa 03:47 pm EDT 04/04/18 | |
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| Well, if you go just off the Tony performances that year, Pinkins did win! Not only is "Lot's Wife" far more impressive as a bid for a Best Actress Tony than "Defying Gravity", but Idina... dare I say... cracked a bit in her big money moment (which, as far as money moments in songwriting, throwing an "ahhHHHahHHHH" at the end is pretty lazy and unimpressive if you ask me), which I think was more notable than the audible wear and tear on Tonya's voice that night. | |
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| re: 2004 | |
| Posted by: Michael_Portantiere 05:20 pm EDT 04/04/18 | |
| In reply to: re: 2004 - Chazwaza 04:12 pm EDT 04/04/18 | |
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| "Well, if you go just off the Tony performances that year, Pinkins did win!" I'm going to have to look at it again, but as I recall, Pinkins over-sang and over-emoted in the Tony performance of "Lot's Wife," which resulted in her going off pitch and sounding like she was losing her voice. So, based on that particular performance of the song (which, of course, the award was NOT based on), I'm not sure I agree with you. |
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| re: 2004 | |
| Posted by: Chazwaza 08:34 pm EDT 04/04/18 | |
| In reply to: re: 2004 - Michael_Portantiere 05:20 pm EDT 04/04/18 | |
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| Yeah like I said he had a lot of audible wear and tear on her voice but luckily for her it fits with her tired, worn and gruff character, struggling through an angry internal conflict soliloquy. And I have watched that performance a few times and never felt she was over-emoting - but I do think out of context, and with the top of the song cut off for time, it is nowhere near as powerful or emotionally logical as it is in the show (or when I saw her do it in the show). However I still think it's one of the best Tony performances, and definitely better than Menzel's, since that one kind of lives on that last "ahhAAHHHaahhh!" which she did not nail that night. I remember gasping when I was watching it when it first aired, like watching an ice skater ALMOST land her key jump but not. |
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| re: 2004 | |
| Posted by: writerkev 05:34 pm EDT 04/04/18 | |
| In reply to: re: 2004 - Michael_Portantiere 05:20 pm EDT 04/04/18 | |
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| I think she sounded like she was losing her voice because she was losing her voice. There was a lot of talk at the time about how ragged she was sounding onstage, and I think she definitely sounded so on the Tonys. |
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| re: 2004 | |
| Posted by: WaymanWong 04:06 pm EDT 04/04/18 | |
| In reply to: re: 2004 - JohnPopa 03:47 pm EDT 04/04/18 | |
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| If it's any consolation, Pinkins did win a Tony for Featured Actress for ''Jelly's Last Jam'' (1992). And I agree with Chazwaza about Antonio Banderas: He should've won Best Actor for ''Nine.'' It's not a Tony debate, but there's always Lippa's ''Wild Party'' vs. LaChiusa's ''Wild Party,'' but only LaChiusa's made it to Broadway. And there's Lloyd Webber's ''Phantom'' vs. Yeston's ''Phantom,'' but only Lloyd Webber's made it to Broadway. |
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| re: 2004 | |
| Posted by: Chazwaza 04:14 pm EDT 04/04/18 | |
| In reply to: re: 2004 - WaymanWong 04:06 pm EDT 04/04/18 | |
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| Oh, for me (as one could guess), there's no debate for The Wild Party. The LaChiusa version that got to broadway is light years better as a piece of musical theater art, as an adaptation of the poem, and as a production. I have yet to experience Yeston's Phantom but hope to listen to it soon. |
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| re: 2004 | |
| Posted by: BruceinIthaca 07:55 pm EDT 04/05/18 | |
| In reply to: re: 2004 - Chazwaza 04:14 pm EDT 04/04/18 | |
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| Wasn't that debate the source of a joke on one of the Forbidden Broadway recordings? | |
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| re: 2004 | |
| Last Edit: BroadwayTonyJ 04:05 pm EDT 04/04/18 | |
| Posted by: BroadwayTonyJ 04:04 pm EDT 04/04/18 | |
| In reply to: re: 2004 - JohnPopa 03:47 pm EDT 04/04/18 | |
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| Pinkins won the Tony in '92 for Best Featured Actress (Musical) -- Jelly's Last Jam | |
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