I saw this production but had to leave a little before the very end to catch the last bus home. Can someone tell me about that "final image of resilient sensuality?" Thanks in advance.
For the record, I greatly admired the production. I always liked the play; for me, it has no more obligation to present an admirable view of the gay community than Who's Afraid of Virginia Woolf has to present an admirable view of academic marriages. De Jesus falls a bit short of Cliff Gorman's original tour de force as Emory, and Quinto, though good, can't quite measure up to Leonard Frey's brilliant performance as Harold. Otherwise, the cast does excellent work, and all the technical contributions are top notch. Mantello has staged it with great skill.
Anyway, I would appreciate someone filling me on that final image. |
