Considerably less positive than Mr. Miller's review.
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This wrestling over aggrievement — who will win the prize for suffering the greatest injustice? — is what passes for the main action of “Log Cabin,” leading it into many tortured and baroquely extended arguments...
Mr. Harrison, a Pulitzer Prize finalist for the devastating “Marjorie Prime,” tries hard to hide the machinery, but it keeps showing through anyway. To keep the discussion going he is eventually forced into plot improbabilities and surreal workarounds...
“Log Cabin” seems shapeless: offering tough medicine, perhaps, but nothing to store it in. It dribbles away. |
