Maybe they've loosened up?
I mean I can't comprehend why, if there's any show Robbins could have that authorial control over, it wouldn't be WSS. Of all the shows he was a part of, not only was this is idea, but it's the show his staging and choreography specifically are so deeply and intrinsically tied into the drama of. I'm not sure if any choreography should be legally tied to a musical for all time ... but if there's any I get it for it is West Side Story and A Chorus Line. Fiddler doesn't even come close to that list. |
