| #TheatreToo Issue Tackles Harassment and Abuse in the Theatre | |
| Posted by: Official_Press_Release 12:10 pm EDT 09/07/18 | |
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| American Theatre Magazine’s #TheatreToo Issue Tackles Harassment and Abuse in the Theatre American Theatre magazine, published by Theatre Communications Group (TCG), is proud to announce the publication of its September 2018 issue focused on harassment and abuse in the theatre. Called #TheatreToo after the #MeToo movement, the issue examines the problems of abuse, harassment, and sexism in the theatre. How have the nation’s large and small theatres allowed these problems to persist, and what are they doing to disrupt and prevent them in the future? How have survivors told their stories and recovered their lives, onstage and off? Stories include: When Damage Is Done: Senior editor Diep Tran reports on what happened when three large LORT theatres were rocked in different ways by allegations of harassment or a sexist culture Theatre’s Silence Breakers: Profiles of six individuals who came forward to tell their stories and made positive change Every Time It’s Personal: Texas reporter Katy Lemieux writes about the personal and emotional of breaking a major #MeToo story in her own community The online-only package also includes an op-ed about what Actors’ Equity could do to help actors fight back against harassment, an explanation by editor-in-chief Rob Weinert-Kendt of how and why American Theatre put the issue together, and a list of resources for survivors. “We’re deeply grateful for the brave testimony of the survivors as well as the transparency and cooperation of theatre leaders and workers who contributed their stories,” said Teresa Eyring, executive director, TCG. “This issue is part of a sustained, multi-faceted effort that includes online workshops and in-person organizing to end sexual abuse and misconduct in the theatre. At the board and staff level, we’re committed to continuing this work beyond a single issue or event.” The issue illustrated with striking images by four female artists from around the world: The cover image is by U.S.-based Sawsan Chalabi, and interior images are by Agata Nowicka (Poland), Thandiwe Tshabalala (South Africa), and Sonia Pulido (Spain). “When senior editor Diep Tran received a deluge of #MeToo testimonials in response to her call for stories, American Theatre began a process that would change our fundamental approach to reporting on the field,” said Rob Weinert-Kendt, editor-in-chief, American Theatre. “As we build the required capacity for a potential move toward investigative journalism, this issue helps us all learn from the silence-breakers and the theatres committed to changing their cultures.” Early response to the issue has been encouraging, with some embracing it as a teaching tool: Brian E. Herrera, associate professor of theatre at Princeton University, has required all the students in his fall “Theatre & Society Now” class to read the issue cover to cover, a decision “based on the strength of the content,” Herrera said, “and the example of its intervention.” Also in the September issue is the complete playscript of Antoinette Nwandu’s harrowing new play Pass Over, prefaced by dramaturg Natasha Sinha’s revealing interview with the playwright; an in-depth look at Everyman Theatre’s production of the Holocaust memory play The Book of Joseph; a Q&A with Moonlight screenwriter and Yale playwriting dean Tarell Alvin McCraney; a critic’s notebook on two groundbreaking new productions of Oklahoma!; a look at a casting controversy at American Players Theatre; a feature on how costume designers choose their own clothing; people to watch; and more. You can read the rest of the articles here: https://www.americantheatre.org. American Theatre magazine is published 10 times a year by Theatre Communications Group. As the nation’s essential magazine for professional not-for-profit theatre, American Theatre has been providing theatre professionals, students, advocates, and audiences a comprehensive journal for more than 30 years. American Theatre is available online, at selected newsstands nationwide or through an Individual Membership in TCG by visiting http://www.tcg.org/about/membership/individual.cfm or contacting info@tcg.org. Unlimited exclusive content on AmericanTheatre.org is only available through TCG membership. http://www.americantheatre.org. For over 55 years, Theatre Communications Group (TCG), the national organization for U.S. theatre, has existed to strengthen, nurture, and promote the professional not-for-profit theatre. TCG’s constituency has grown from a handful of groundbreaking theatres to over 700 Member Theatres and affiliate organizations and more than 12,000 individuals nationwide. TCG offers its members networking and knowledge-building opportunities through conferences, events, research, and communications; awards grants, approximately $2 million per year, to theatre companies and individual artists; advocates on the federal level; and through the Global Theater Initiative, TCG's partnership with the Laboratory for Global Performance and Politics, serves as the U.S. Center of the International Theatre Institute. TCG is North America’s largest independent publisher of dramatic literature, with 16 Pulitzer Prizes for Best Play on the TCG booklist. It also publishes the award-winning American Theatre magazine and ARTSEARCH®, the essential source for a career in the arts. In all of its endeavors, TCG seeks to increase the organizational efficiency of its Member Theatres, cultivate and celebrate the artistic talent and achievements of the field, and promote a larger public understanding of, and appreciation for, the theatre. www.tcg.org. |
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