|Atlantic Theater Company Announces Casting for the US Premiere of The Mother|
|Posted by: Official_Press_Release 10:54 am EST 12/13/18|
|Atlantic Theater Company Announces Casting for
US Premiere Production
By Florian Zeller
Translated by Christopher Hampton
Directed by Trip Cullman
Isabelle Huppert, Chris Noth, Justice Smith, Odessa Young
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Performances begin Wednesday, February 20th, 2019
Opening Monday, March 11th, 2019
Limited Engagement through Sunday, April 7th, 2019
At the Linda Gross Theater
Atlantic Theater Company (Neil Pepe, Artistic Director; Jeffory Lawson, Managing Director) is proud to announce casting for the US premiere production of The Mother by Florian Zeller, translated by Christopher Hampton, and directed by Trip Cullman.
The Mother will feature Academy Award nominee Isabelle Huppert (Elle, Greta), Golden Globe Award nominee Chris Noth (“The Good Wife,” “Gone”), Justice Smith (Netflix’s “The Get Down,” Jurassic World: Fallen Kingdom), Odessa Young (Days of Rage, Assassination Nation).
The Mother begins previews Wednesday, February 20th and will open Monday, March 11th for a limited engagement through Sunday, April 7th, 2019 Off-Broadway at the Linda Gross Theater (336 West 20th Street).
Can one love one’s son too much? Anne has given everything to the family she’s built. Now the years have gone by, and her children have grown up and have lives and loves of their own, leaving her alone in a world that is crumbling around her. The Mother is a captivating and disquieting new play about a woman grasping for stability by acclaimed French writer Florian Zeller, translated by Christopher Hampton that will leave you questioning the very nature of reality.
The Mother will feature scenic design by Mark Wendland, costume design by Anita Yavich, lighting design by Ben Stanton, sound design and original composition by Fitz Patton, projections by Lucy MacKinnon, and casting by Casting by Telsey + Company, William Cantler, CSA; Adam Caldwell, CSA; Karyn Casl, CSA.
The Mother is made possible with leadership support from The Laura Pels International Foundation for Theater and The Blanche and Irving Laurie Foundation
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