I agree that excellent acting and ensemble, which this show has, is created by both performers and director. Very good work here in those fields, esp. Ms. Ireland who is stunning, again.
I think the back wall opens up so that you do not think you are still at the center, but in another place, as well as shows us Marin’s character out of the rehab world.
I was more concerned with her “confession” or “admission” in the last scene. For such a destructive character, who lies so easily and well, I didn’t know if I was supposed to believe her tragic story. And if I am supposed to believe it, I don’t like the character suddenly asking for pity because of her past. If that is where the play is going, I really liked every moment until then. |
