His answer seems to be in the same thread: "I hadn’t really remembered that institutional critique was en Vogue and was becoming an engine for capital. ESPECIALLY black institutional critique. Kendrick has a Pulitzer. Adrian Pipers at MoMa. Get hip! I had been elated the last few months. Feeling that somehow I had snuck this insane play into the system it was meant to disrupt from the outside. Now, maybe, just maybe, it could do more insane things from the inside."