As long as there's a market, they'll keep bringing them in. And iif they can sell a bigger house, thely'll use it.
I understand the frustration. I guess people just want to be in the house. When I saw Hello, Dolly! from a not far back, but very high up (at $95) seat in Cleveland, the sets everyone raves about looked cheap because I could see how thin things like the train were.
That said, when I saw my first Broadway tour ever (A Chorus Line), from the last row, it was revelatory. |