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PTP/NYC at Atlantic Stage 2 - works by Stoppard, Havel, Pinter & Beckett that resonate with our cultural & political moment
Posted by: Official_Press_Release 06:29 pm EDT 06/13/19

PTP/NYC’S (POTOMAC THEATRE PROJECT) 33RD SEASON TO INCLUDE WORKS BY
TOM STOPPARD, VACLAV HAVEL, HAROLD PINTER & SAMUEL BECKETT
THAT RESONATE WITH OUR CULTURAL AND POLITICAL MOMENT

OFF-BROADWAY PREVIEWS BEGIN JULY 9 AT ATLANTIC STAGE 2, WITH OPENINGS BEGINNING ON JULY 16, RUNNING THROUGH AUGUST 4

PTP/NYC (Potomac Theatre Project), in association with Middlebury College, proudly presents its 33rd repertory season, its 13th consecutive in New York City, running July 9 - August 4, 2019 in a limited Off-Broadway engagement at The Atlantic Stage 2, located at 330 West 16th Street between 8th and 9th Avenues.

This season’s line-up includes DOGG’S HAMLET, CAHOOT’S MACBETH, by Tom Stoppard, directed by PTP’s Co-Artistic Director Cheryl Faraone, and HAVEL: THE PASSION OF THOUGHT, comprised of five serio-comic one act plays by Vaclav Havel, Harold Pinter and Samuel Beckett, directed by PTP’s Co-Artistic Director Richard Romagnoli. Previews begin on July 9 and openings begin on July 16.

Performances are Tuesdays - Sundays at 7pm, Saturdays - Sundays at 2pm, and select Wednesdays and Thursdays at 2pm. Schedule varies - for exact days and times visit http://PTPNYC.org. Tickets are $37.50, $22.50 for students and seniors, and $20 for previews. Purchase online at http://PTPNYC.org or by calling 1-866-811-4111.

DOGG’S HAMLET, CAHOOT’S MACBETH begins previews July 9 for a July 17 opening and runs through August 3.

Three schoolboys who speak only Dogg confuse a lorry driver who speaks only English. Dogg’s Hamlet’s goofy linguistic mismatches tumble into a performance of the 15 Minute Hamlet. In Cahoot’s Macbeth, a forbidden living-room production of Shakespeare’s play, interrupted by a wise-cracking Inspector, parallels Macbeth’s usurpation of the Scottish throne before Communist takeover in Czechoslovakia. By play’s end, Shakespeare explodes into Dogg.

The cast for DOGG’S HAMLET, CAHOOT’S MACBETH includes Matthew Ball (PTP: Pity In History, Pentecost), Denise Cormier (Broadway national tour The Graduate, Showtime’s “The Affair”), Tara Giordano (PTP: The After-Dinner Joke, Vinegar Tom, Serious Money), Christo Grabowski (PTP: The After-Dinner Joke, Pity In History, No End of Blame), Christopher Marshall (PTP: The Possibilities, The After-Dinner Joke, Pity In History), Peter B. Schmitz (PTP: Lovesong of the Electric Bear, Therese Raquin), Lucy Van Atta (PTP: The After-Dinner Joke, Serious Money, Spatter Pattern), Olivia Christie (PTP: Brecht on Brecht), Will Koch, Emily Ma, Katie Marshall, Madeleine Russell (PTP: The After-Dinner Joke, The Possibilities), Lior Selve, Zach Varicchione and Connor Wright (PTP: Pity In History).

The production team for DOGG’S HAMLET, CAHOOT’S MACBETH includes Mark Evancho (Set Design), Hallie Zieselman (Lighting Design), Chris Romagnoli (Costume Design Dogg’s Hamlet), Rebecca LaFon (Costume Design Cahoot’s Macbeth), Sam Tompkins Martin (Props Design), Peter B. Schmitz and Adam Milano (Movement) and Alex Williamson (Production Stage Manager).

HAVEL: THE PASSION OF THOUGHT, comprised of five serio-comic one act plays, begins previews July 10 for a July 16 opening and runs through August 4.

In Audience, Private View and Protest, the dissident Vanek (Havel’s alter ego) encounters people trapped by the moral dilemmas inherent in a Communist system. The trio of plays is bookended by Harold Pinter’s New World Order and Samuel Beckett’s Catastrophe. The latter was written in tribute to Havel.

The Vanek plays (along with all of Havel’s work) were banned in Czechoslovakia, but that didn’t prevent people from performing them in their living rooms, copying them surreptitiously as samizdat (illegal, faded copies of banned work), or even recording them on vinyl. One of Havel’s core ideas in his philosophical essays is the concept of “living in truth,” that each small compromise we make with the truth leads to larger compromises, until it snowballs into a society-wide epidemic in which lying becomes the institutional path.

The cast for HAVEL: THE PASSION OF THOUGHT includes David Barlow (PTP: No End of Blame, Victory, The Castle), Emily Kron (PTP: The Europeans, Sweet Tooth at Cherry Lane), Michael Laurence (Broadway: Talk Radio, Desire Under the Elms, NBC’s “Shades of Blue”), Christopher Marshall (PTP: The Possibilities, The After-Dinner Joke, Pity In History), Danielle Skraastad (Broadway: All My Sons, Hurricane Diane with Women’s Project & NYTW, The Architecture of Becoming with Women’s Project), Emily Ballou and Madeline Ciocci (PTP: The After-Dinner Joke).

The production team for HAVEL: THE PASSION OF THOUGHT includes Mark Evancho (Set Design), Hallie Zieselman (Lighting Design), Glenna Ryer (Costume Design), Sam Tompkins Martin (Props Design), Peter B. Schmitz and Adam Milano (Movement) and Devin Wein (Production Stage Manager).

PTP/NYC says, “Vaclav Havel -- poet, playwright, prisoner, president -- is a timeless voice of integrity and resistance, a virtual anomaly on the cusp of 2020, but certainly a much-needed inspiration. Tom Stoppard, his fellow Czech, visited Havel in 1977 shortly after his release from prison, and afterwards produced a series of plays focusing on freedom of speech, freedom from censorship, and the rights of the artist; one of these is Cahoot’s Macbeth. The two evenings are umbilically entwined. Moreover, the bookending of the three Vanek plays by Havel with Pinter’s New World Order and Beckett’s Catastrophe (written in tribute to Havel) expands and universalizes this evening, with a chilling final image of the artist as tortured celebrity. Together, using farce, linguistic games, poignancy, and liberal doses of Shakespeare, the two evenings resonate with our cultural and political moment.”

PTP/NYC (Potomac Theatre Project) continues to redefine politically aware theatre for the 21st century by presenting theatrically complex and thought-provoking work of contemporary social and cultural relevance. Howard Barker is one of PTP/NYC’s most produced writers, along with Caryl Churchill, Neal Bell, Sarah Kane and David Edgar. The company’s writers are provocative, engaging and often confrontational.

PTP was founded in 1987 by the artistic team of Cheryl Faraone, Jim Petosa and Richard Romagnoli who continue to run the company. Alex Draper is Associate Artistic Director. Since moving to New York in 2007, PTP/NYC has produced 28 main stage productions and numerous late evening readings, workshops and experimental theatre pieces in their After Dark series. The company is committed to the training of young actors and designers, enabling them to work with experienced and generous professionals as they serve an apprenticeship and begin their own work in the theatre. PTP/NYC’s 2013 New York premiere of Howard Barker’s The Castle and 2008 production of Barker’s Scenes From An Execution each earned the late Jan Maxwell a Drama Desk Award nomination.

The New York Times says PTP/NYC “stands out amid the summer season’s fluff and fringiness as one to turn to for serious work” and The New Yorker calls the company’s work “daring and provocative.” The Village Voice states, “Every July, PTP/NYC presents a season of serious drama, a powerful burst of counter-programming to New York’s summer silliness. Since PTP moved to New York in 2007, its program at Atlantic Stage 2 has become one of the grounding moments of this city’s theater scene, with the ensemble focusing on stories of sociopolitical struggle—always thorny epics, always rich with language.” Huffington Post says, “Potomac Theatre Project bring intelligent, beautifully directed and performed fare to New York and we are so much luckier for it.” One Magazine states, “PTP/NYC are an extraordinary company. They choose powerful, thought-provoking work, and their actors, directors and technicians work together in such a seamless way, there are no chinks in this armor. PTP/NYC is necessary theatre, right here, right now.”

For more info visit http://PTPNYC.org, Like them on Facebook at https://www.Facebook.com/pages/Potomac-Theatre-Project-PTP/32709392256, follow on Twitter at @ptpnyc (https://twitter.com/ptpnyc), and on Instagram at @ptpnyc.official (https://www.instagram.com/ptpnyc.official).

Cheryl Faraone has been the Producing Artistic Director of PTP/NYC since 1986. Her directing credits in New York include The After-Dinner Joke, Arcadia, Vinegar Tom, Serious Money, Pentecost, Lovesong of the Electric Bear, Territories, Crave, and The Politics of Passion: the Plays of Anthony Minghella. During PTP’s time in DC, she directed work by Caryl Churchill, Tom Stoppard and Shelagh Stephenson, among others.

Richard Romagnoli is a co-founder and the co-Artistic Director of PTP/NYC. Since 2007, he has directed Howard Barker’s The Possibilities, Pity In History, No End of Blame, Scenes from an Execution, Gertrude: The Cry, The Castle, Victory, Judith, The Europeans, Gary the Thief and Plevna in New York. During PTP’s time in the DC area, he directed Barker’s Scenes, A Hard Heart, The Possibilities, The Castle and No End of Blame, along with plays by Harold Pinter, Vaclav Havel, Samuel Beckett and Edward Albee.

The Atlantic Stage 2 is accessible from the A, C, E, L trains to 14 St./8 Ave. or the 1, 2, 3 trains to 14 St.
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