I'm not sure that on any level I would call Kismet a jukebox musical. Even if we open up the definition to include non-pop musical styles such as classical, there's not really enough Borodin in the score IMO. (A good number of the songs are based on musical themes, but then developed into popular song forms using additional music by Wright and Forrest. For instance, only the A section of "Stranger In Paradise" is Borodin.)
