. . . for any return engagement (not really a revival) of any Broadway production that has closed to tour and then returned to Broadway, still in the same production. Since they didn't have to go to the expenses of producing, casting, designing, and costuming the show all over again, I expect the return engagement made money.
This is another example of how you can't guess whether a production was financially successful or not just by looking at the number of performances. |
