Honestly, though, I'd love to see Rudin use his commercial winnings to lose money on "A Strange Loop" on Broadway the way he does with Sam Gold's revivals or a play like "Gary".
If GARY had been produced at, say, the Public, it would've sold out its run, gotten the same mixed-to favorable reviews and
it would've become an impossible-to-get-tickets-to event. Not a Broadway "flop".
