As for the Gershwin, it's a good thing they had a hit like WICKED where people could follow the crowds. When I saw the sparsely-attended OKLAHOMA and ON THE TOWN revivals, people were asking where the auditorium was, since the orchestra-level entrances were not obvious from the lobby.
As for the Majestic, I hope the management can use some of the PHANTOM profits to add soundproofing to the side exit doors. It was especially bad when Barry Manilow was performing across the street, and his groupies waiting at the stage door were so loud they distracted from the performance on the Majestic stage. Of course, "stage dooring" may be a thing of the past. |
