|RED BULL THEATER presents THE WOMAN HATER, directed by Everett Quinton, featuring Arnie Burton, Veanne Cox, Matthew Saldivar, Nick Westrate, and more|
|Posted by: Official_Press_Release 03:44 pm EST 01/13/21|
|RED BULL THEATER
A Special Event Benefit Reading of
THE WOMAN HATER
by Frances Burney
Directed by Everett Quinton
Featuring Bill Army, Arnie Burton, Veanne Cox, Rebecca S'Manga Frank, Cherie Corinne Rice, Matthew Saldivar, Jenne Vath, and Nick Westrate
Monday, January 25th at 7:30PM EST
RED BULL THEATER (Jesse Berger, Founder and Artistic Director | Jim Bredeson, Managing Director) today announced that its 2020-21 offerings will continue with a special event benefit reading of Frances Burney's The Woman Hater, directed by Everett Quinton. The reading will feature Bill Army (The Changeling - Red Bull Theater; The Band's Visit, Broadway, Atlantic Theater; Act One, Lincoln Center Theater); Arnie Burton (The Government Inspector, The Mystery of Irma Vep - Red Bull Theater; Peter and the Starcatcher; Machinal - Roundabout Theatre; A Free Man of Color, Lincoln Center Theater; The 39 Steps; The Temperamentals; Drama Desk nomination: Lewiston/Clarkston; Drama League nomination: The Mystery of Irma Vep); Veanne Cox (Drama Desk and Obie Awards for Sustained Excellence; Lortel Award nominations: Paradise Park, Spain; Drama Desk Award nomination: Last Easter; Tony Award nomination: Company; additional Broadway credits: An American in Paris, La Cage aux Folles, Caroline, or Change; A Free Man of Color, Lincoln Center Theater); Rebecca S'Manga Frank (Coriolanus, Red Bull Theater; The Broken Record, FringeNYC; Romeo and Juliet, Wheelhouse Theater; Indecent, Oregon Shakespeare), Cherie Corinne Rice (The White Devil, Red Bull Theater); Matthew Saldivar (Bernhardt/Hamlet, Roundabout Theater; Junk, Lincoln Center, Saint Joan, Manhattan Theater Club, Peter and the Starcatcher, Act One, Lincoln Center; A Streetcar Named Desire; Honeymoon in Vegas, Grease; The Wedding Singer); Jenne Vath (Small Craft Warnings, As Is, Regeneration Theatre; Chemistry of Love, La Mama); and Nick Westrate (Loot, Red Bull Theater; Bernhardt/Hamlet, Roundabout Theater; Casa Valentina, Manhattan Theatre Club; 2012 Drama Desk Special Award; Drama Desk Award nomination: The Boys in the Band). This event reading will have visual design by David M. Barber and costume design by Sara Jean Tosetti.
Frances Burney's rarely seen 18th century proto-feminist satire is a hilarious story of broken engagements, excessive romanticism - and one massively misguided misogynist. With its unforgettable characters and delicious absurdity, The Woman Hater is a lost comic treat. As directed by Everett Quinton (Red Bull's The Mystery of Irma Vep and the Ridiculous Theatrical Company), it's sure to be a doubly sweet one.
The online reading will premiere LIVE on Monday January 25th at 7:30 PM EST. A recording of the livestream will be available until 7PM EST on Friday, January 29th - then it disappears. This event is an important benefit for Red Bull Theater, though tickets are Pay What You Can. Advance reservations are recommended.
"The discovery of Frances Burney's stage plays is a wonderful revelation, and it is a joy for us to be able to share what just might be her funniest play with audiences online -- The Woman Hater -- with a deliciously talented cast under the fabulous direction of Red Bull's long-time creative collaborator, Everett Quinton. Audiences are in for a special online treat with this witty and refreshingly delightful satire," said Artistic Director Berger.
On Thursday January 28th at 7:30 PM EST, there will be a free Bull Session, an interactive discussion of the play and its themes with director Everett Quinton, scholar Tara K. Menon, and members of the company. Registrants will receive a link to participate.
Scholar Tara K. Menon explains, "Frances Burney wrote the The Woman Hater between 1796 and 1801. Although the play was never performed in public, Burney drew a cast list of prominent actors from Drury Lane, including Sarah Siddons, the best known tragedienne of the day, as Eleonora. The play shares its title with the 1607 play by Francis Beaumont and John Fletcher, which also lampoons misogyny. Burney's play first came to light in 1945 when the Berg Collection of the New York Public Library acquired a collection of her writing. Her plays were published for the first time in 1995. The Woman Hater is best characterized as a sentimental comedy, but it contains elements of several other genres including gothic drama, farce and comedy of manners."
Frances Burney (1752-1840) was an English novelist, diarist and playwright. She was the third of six children of the musicologist Dr Charles Burney. Although she did not learn her alphabet until she was eight years old, she made up for this late start by reading voraciously and by the age of ten had begun writing in a variety of fictional genres. Published anonymously in 1778, Burney's first novel Evelina was an instant success. After her identity as the author was revealed, Burney was embraced by London's literary elite and won the admiration of many, including Richard Brinsley Sheridan, Samuel Johnson and David Garrick. Although her novel brought her fame and critical approval, Burney, an ardent lover of theatre and opera, yearned to write for the stage. Her first attempt, a satirical comedy about pseudo-intellectual women called The Witlings, was read to a private audience in 1779. Despite being appreciated by those in attendance, both her father and a close family friend, Samuel Crisp, were astonished by the sharpness of the satire. Also anxious that writing for the stage could ruin her reputation, the two men resolved that the play would not find a public audience. After this disappointment, Burney suspended her playwriting ambitions and focussed on writing novels and detailed journals-genres that were at the time more conventionally female. Her novels were social satires, headlined by strong female protagonists. They influenced many early nineteenth-century authors, including Jane Austen. Despite the genre, these works exhibit Burney's theatrical inclinations; the scenes are highly dramatic and the dialogue, which often reads like a script, reveals a talent for capturing dialect and the nuances of individual speakers. Burney tried her hand at drama again later in life, but of the eight plays she wrote only one, a blank verse tragedy called Edwy and Elgiva, was performed during her lifetime. Put on at Drury Lane in March of 1795, the play closed after a single night. Although Burney's fame continues to rest on her significant achievements as a novelist, several scholars maintain that, if not for the interference of her father and his friend, Burney could have also found great success as a writer for the stage.
Everett Quinton is an actor, director, and playwright and was a longtime member of Charles Ludlam's Ridiculous Theatrical Company where he was an actor, director, and costume designer. While there he appeared in over 75 productions including Camille; Bluebeard; Exquisite Torture; Turds in Hell; Conquest of the Universe; Utopia, Inc.; The Bells; Movieland; Galas, Salammbo; A Tale of Two Cities (Obie Award); The Mystery of Irma Vep (Obie and Drama Desk Awards); Linda; Der Ring Gott Farblonjet, to name a few. Most recently he starred Off-Broadway in the hit Drop Dead Perfect produced by the Penguin Rep and directed by Joe Brancato and in Antony & Cleopatra at the McCarter Theatre Center. Everett directed the beautiful revival of Charles Ludlam's The Mystery of Irma Vep at Red Bull Theater He has appeared as Duncan and Hecate in the Shelter Group's production of Macbeth and Felipe Ossa's Sabrina La Caprichiosa at Dixon Place, Travesties at McCarter Theater Center; Oh, Dad, Poor Dad at CSU Summer Stages; Twelfth Night at The Arizona Theater Company, Shakespeare in Hollywood (Helen Hayes Award) at Arena Stage in DC, Women Beware Women (Calloway Award), 'Tis Pity She's a Whore, and The Witch of Edmonton at Red Bull Theater, the National Tour of Cinderella with Eartha Kitt (Carbonell Award); The Etiquette of Death at LaMama, Tennessee Williams's Now the Cat's with Jeweled Claws at The Williams Festival in Provincetown and as part of LaMama's 50th Anniversary Season.
Red Bull Theater is committed to continuing connection during this historic time. Red Bull's online readings offer the unique opportunity to hear rarely-produced classic plays, and brand new plays in conversation with the classics, performed by the finest actors in New York. All of Red Bull Theater's current offerings are FREE, but advance reservations are recommended. Tax-deductible donations are encouraged to support Red Bull and invest in the vitality of classical theater for a contemporary audience.
Red Bull Theater wishes to express its gratitude to the Performers' Unions: ACTORS' EQUITY ASSOCIATION, AMERICAN GUILD OF MUSICAL ARTISTS, AMERICAN GUILD OF VARIETY ARTISTS, and SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on these programs.
Red Bull Theater, hailed as "the city's gutsiest classical theater" by Time Out New York, brings rarely seen classic plays to dynamic new life for contemporary audiences, uniting a respect for tradition with a modern sensibility. Named for the rowdy Jacobean playhouse that illegally performed plays in England during the years of Puritan rule, Red Bull Theater is New York City's home for dynamic performances of great plays that stand the test of time. With the Jacobean plays of Shakespeare and his contemporaries as its cornerstone, the company also produces new works that are in conversation with the classics. A home for artists, scholars and students, Red Bull Theater delights and engages the intellect and imagination of audiences, and strives to make its work accessible, diverse, and welcoming to all. Red Bull Theater believes in the power of great classic stories and plays of heightened language to deepen our understanding of the human condition, in the special ability of live theater to create unique, collective experiences, and the timeless capacity of classical theater to illuminate the events of our times. Variety agreed, hailing Red Bull's work as: "Proof that classical theater can still be surprising after hundreds of years."
Since its debut in 2003 with a production of Shakespeare's Pericles starring Daniel Breaker, Red Bull Theater has served adventurous theatergoers with Off-Broadway productions, Revelation Readings, and the annual Short New Play Festival. The company also offers outreach programs including Shakespeare in Schools bringing professional actors and teaching artists into public school classrooms; Bull Sessions, free post-play discussions with top scholars; and Classical Acting Intensives led by veteran theater professionals. In partnership with The Drama League, Red Bull Theater offers The Classical Directing Fellowship, which immerses a director in the life of a company working in the classical canon, and is designed to bring diverse voices into the productions and institutions dedicated to this work.
Red Bull Theater strives to be a home for all artists and theatergoers. Red Bull values and is dedicated to practicing inclusiveness on our stage, in our audience, on our staff, and within our leadership. We are committed to making antiracism a core value of our theater. We know that simply making these statements is not enough. We are committed to ongoing actions to increase racial justice and equal opportunity at our theater-doing our part to help realize a more racially and socially just theater community, city, and country.
"The classics-shaking Red Bull Theater," as Time Out NY has called it, has presented 20 Off-Broadway productions and nearly 200 Revelation Readings of rarely seen classics, serving a community of more than 5,000 artists and providing quality artistic programming to an audience of over 65,000. The company's unique programming has received ongoing critical acclaim, and has been recognized with Lortel, Drama Desk, Drama League, Callaway, Off Broadway Alliance, and OBIE nominations and Awards.
For more information visit www.redbulltheater.com.
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