|New Ohio Theatre reopens with Byzantine Choral Project’ s Icons/Idols: In The Purple Room|
|Posted by: Official_Press_Release 08:11 am EDT 04/15/21|
|NEW OHIO THEATRE & IRT THEATER’S ARCHIVE RESIDENCY WORLD PREMIERE OF BYZANTINE CHORAL PROJECT’S ICONS/IDOLS: IN THE PURPLE ROOM
PREVIEWS BEGIN APRIL 30, OPENS MAY 2, RUNS THROUGH MAY 22
New York, NY – New Ohio Theatre and IRT Theater present the Archive Residency world premiere of Byzantine Choral Project’s ICONS/IDOLS: IN THE PURPLE ROOM, a choral drama and immersive installation, with book and lyrics by Helen Banner, music by Grace Oberhofer and installation design by Afsoon Pajoufar.
ICONS/IDOLS: IN THE PURPLE ROOM runs from April 30 – May 22, 2021 in a limited engagement at New Ohio Theatre, located at 154 Christopher Street between Greenwich and Washington Streets in New York City. Previews begin April 30 for a May 2 opening.
Follow the young Athenian orphan Irene into the heart of Byzantine power as tensions between religious and political factions threaten to rupture an empire. Listening to the story unfold on their phones, a socially distanced audience is guided through a space charged with birth and death, where power is fought over and exchanged, the mighty can be destroyed, and fragile bodies attempt to channel the divine. With a haunting score inspired by Byzantine chant, featuring the voices of ten female and non-binary performers, IN THE PURPLE ROOM wrestles with how to make something new out of a shattered world. *Note: There are no live performers in the space.
Artistic Director Robert Lyons says, “I think this is the perfect show and project to reopen our space. A great example of artists remaining flexible with their vision and adapting to shifting realities. It’s a beautiful musical and vocal soundscape, and just being back in the physical theatre will make it even more special!”
Grace Oberhofer writes, “After a year away from NYC theater spaces, without the ritual of shared thought and intimacy that comes with being together as an audience, it’s a wonderful feeling to be back at the New Ohio. The idea of sharing this piece that challenges ritual and belief, in a safe and socially distanced way, feels like a fitting way for us al? to re-connect. Helen Banner adds, œI wanted to create something that captures the magic of going on a story hunt for the past in the fiercel? complex and beautiful world of Byzantium in the eighth century. It™s been a Byzantine project in its own right to make this with all our performers remotely, and I™m delighted to be able ?o share this new slice of Icons/Idols as we are finally able to come back into the New Ohio and restart theatre making in New York.
Audio drama performed by Hilary Asare, Iris Beaumier, Isabella Dawis, Hannah Eakin, Julia Izumi, Grace Oberhofer, Lukas Papenfusscline, Shanta Parasuraman, Yael Shavitt and Kay Weber.
Music Direction by Robert Frost, Sound Design by Grace Oberhofer and Nathan Leigh, and Audio Engineering by Nathan Leigh. Produced by Emily Caffery.
Timed entries, under COVID-safe conditions, are available on Friday, April 30 between 7-9pm, Saturday, May 1 between 7-9pm, Sunday, May 2 between 3-5pm, Friday, May 7 between 7-8pm, Saturday, May 8 between 4-5pm and 7-8pm, Saturday, May 15 between 4-5pm and 7-8pm, Sunday, May 16 between 3-4pm, Friday, May 21 between 7-8pm, and Saturday, May 22 between 4-5pm and 7-8pm. Time ranges represent various start times. Running time is approximately 45 minutes. Capacity is 20 guests max in the theater at one time (legal limit is 24). Tickets are $20 and sold in fifteen-minute intervals with timed entries for 1-2 people every five minutes. Purchase at http://NewOhioTheatre.org.
Audience members listen to the show on their own phone/mp3 player/portable device, using their own headphones or earbuds. Information will be emailed in advance with instructions on how to download the audio before coming to the show. A wheelchair accessible version of the audio and show will also be available to book in advance.
All visitors and staff will be required to wear masks while inside the building. Timed entry will ensure members of separate parties remain six feet apart when inside the installation, and strict capacity limits, enhanced air filtration, health screening and contract tracing protocols will be in effect. A copy of the full safety plan will be available upon request.
The Byzantine Choral Project is a dynamic collaboration between playwright Helen Banner and composer Grace Oberhofer to make theater using female identifying, non-binary and trans voices. Inspired by the Byzantine Empresses Irene, Maria and Euphrosyne, they create work that showcases the radical power of strong, diverse performers singing on stage and explores the importance of imagery, representation and iconoclasm in classical and contemporary life. For the past five years, BCP has been developing ICONS/IDOLS, a tetralogy of choral plays uncovering the secret history of these purple empresses as they ascend in a society with deep animosity towards female rule. The arrival of the COVID-19 pandemic led BCP to create an audio drama adaptation of play one, IRENE, and the immersive installation IN THE PURPLE ROOM premiering at New Ohio Theatre. More info at https://byzantinechoralproject.com.
The Archive Residency is a vital incubator for New York City’s most electrifying independent theater companies. The two-year residency offers companies an artistic home for the development and presentation of a new work. Each residency culminates with a world premiere production. The first year includes a one-month stay in IRT’s 3B Development Series, and a one-week presentation in New Ohi?™s OBIE Award-winning Ice Factory summer festival. The second year includes additional time at IRT, and culminates with a fully realized, four-week run in the New Ohio™s main season. Each fall, two more independent companies are invited into the Archive Residency, br?nging the program to full strength with four companies in resid?nce, each cycling through the two-year development process. Archive Residency alumni include anecdota, The Assembly, Blessed Unrest, Built for Collapse, Collaboration Town, The Drunkard™s Wife, The Mad Ones, One-Eighth Theater, Our Voices Theater, Piehole, Rady&Bloom?and Vampire Cowboys.
New Ohio Theatre is a two-time Obie Award-winning theatre under the leadership of Robert Lyons, Artistic Director, and Jaclyn Biskup, Creative Producer. The New Ohio serves New York’s most adventurous theatre audiences by developing and presenting bold work from today’s vast independent theatre community. They believe the best of this community, the small artist-driven ensembles and the daring producing companies who operate without a permanent theatrical home, are actively expanding the boundaries of where ?merican theatre is right now and where it™s going. From their home in the West Village’s historic Archive Building, the New Ohio provides a high-profile platform for downtown™s most mature, ridiculous, engaged, irreverent, gut-wrenching, frivolous, sophisticated, foolish and profound theatrical endeavors. For info visit http://Ne?OhioTheatre.org, Like them on Facebook at https://www.Facebook.com/NewOhioTheatre, and?follow on Twitter (https://twitter.com/NewOhioTheatre) and Instagram (https://www.instagram.com/newohiotheatre) at @NewOhioTheatre.
IRT Theater is a grassroots laboratory for independent theater and performance in New York City, providing space and support to a new generation of artists. Tucked away in the old Archive Building in Greenwich Village, IRT’s mission is to build a community of emerging and established artists by creating a home for the development and presentation of new work. For info visit http://irttheater.org.
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Helen Banner is a playwright and librettist as well as a former adjunct professor at Birkbeck College, University of London teaching the religious, political and social history of Late Antiquity. A former member of the JAM at New Georges and the Ingram New Works Lab at Nashville Rep, their work has been shown at NYTW (Next Door), the Drama League, OPERA America and The Tank among other venues. Their play Intelligence will be presented at The Assembly, Roxy Upstairs for this year™s Edinburgh Fringe Festival by Lucy Jackson Productions and Dutch Kills Theater Company. https://helenbanner.com
Grace Oberhofer is an award-winning composer with a focus on non-traditional music theater. A Tacoma, WA native and Tufts graduate, Grace also works as a performer, sound designer, and educator. An alumna of the BMI Workshop, her work has been developed/presented by OPERA America, The Tank, New Georges, Corkscrew Festival, Seattle Rep, and Central Square, among others. Other compositional projects include Hot Cross Buns and A Doll™s House: A New Opera. http://graceoberhofer.com
Afsoon Pajoufar is a designer of stage and environment for play, opera and live performance. With a background in fine arts and film, she earned her MFA in Set Design at Boston University. Her designs have been shown at Theatre For a New Audience, ART New York, Fisher Center at Bard, Harvard TDM, MIT Theatre, New Repertory Theatre, Kitchen Theatre, Actor™s Shakespeare Company, Prelude Festivals, etc. Her design for Cabaret was chosen for the 2019 American Exhibit at the Prague Quadrennial of Performance Design and Space. Afsoon moved to the United States from Tehran, Iran. https://www.afsoonpajoufar.com
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