As I wrote in my review of the La Jolla world premiere, the production was a great deal about fashion, including a number of pull-away dresses being paraded. Erin Davie had a chance to play a woman who knew the score, and Judy Kaye was a savvy Queen. There may have been workshops where other approaches were tried, but I never heard anything about them if there were. I was under the impression that lots was changed between La Jolla and Broadway, but from comments I’m reading it doesn’t look as though they were as substantial as I was led to believe. Haven’t seen the Netflix version yet. Perhaps I’ll change my mind when I do.
Bill, in San Diego |
