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| re: TO KILL A MOCKINGBIRD is TRANSCENDENT | |
| Last Edit: twocents 10:35 am EDT 10/06/21 | |
| Posted by: twocents 10:32 am EDT 10/06/21 | |
| In reply to: TO KILL A MOCKINGBIRD is TRANSCENDENT - manchurch03104 07:24 am EDT 10/06/21 | |
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| JD's career longevity (and range) is incredible. I just saw Terms of Endearment again. He's always done such heavy lifting in every medium. | |
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| re: TO KILL A MOCKINGBIRD is TRANSCENDENT | |
| Posted by: LoisP 01:09 pm EDT 10/06/21 | |
| In reply to: re: TO KILL A MOCKINGBIRD is TRANSCENDENT - twocents 10:32 am EDT 10/06/21 | |
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| MOVIE/TV - This might be his most meaningless role, but I loved him in Purple Rose of Cairo. Enjoying him in American Rust. Think I saw him in God of Carnage on Broadway IIRC. |
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| re: TO KILL A MOCKINGBIRD is TRANSCENDENT | |
| Posted by: kieran 01:19 pm EDT 10/06/21 | |
| In reply to: re: TO KILL A MOCKINGBIRD is TRANSCENDENT - LoisP 01:09 pm EDT 10/06/21 | |
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| Not meaningless to me. I loved “Purple Rose of Cairo.” (And it has Zoe Caldwell in a rare screen role.) | |
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| re: TO KILL A MOCKINGBIRD is TRANSCENDENT | |
| Posted by: comedywest 10:43 am EDT 10/06/21 | |
| In reply to: re: TO KILL A MOCKINGBIRD is TRANSCENDENT - twocents 10:32 am EDT 10/06/21 | |
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| Absolutely! I first saw him in Johnny Got His Gun at Circle Rep. Amazing: An 80-minute (or so) monologue in which he couldn't move, and it was riveting. | |
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