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CHICAGO welcomes d'Amboise, Marroquín extends
Posted by: Official_Press_Release 10:11 am EST 01/10/22

BROADWAY'S TONY AWARD-WINNING,
RECORD-BREAKING HIT MUSICAL
CHICAGO
WELCOMES BACK
Charlotte d'Amboise
AS ROXIE HART
CELEBRATING 25 YEARS WITH THE PRODUCTION

Bianca Marroquín
EXTENDS AS VELMA KELLY
CELEBRATING 20 YEARS WITH THE PRODUCTION

NOW PLAYING AT THE AMBASSADOR THEATRE
TICKETS ON SALE AT WWW.CHICAGOTHEMUSICAL.COM

Producers Barry and Fran Weissler are pleased to announce Tony Nominee Charlotte d'Amboise returns to Chicago as Roxie Hart beginning tonight, Monday, January 10, 2022 and Bianca Marroquín has extended in her role as Velma Kelly through March 13, 2022 at the Ambassador Theatre (219 W. 49th St.; New York, NY). Charlotte celebrates 25 years with the production and Bianca celebrates 20 years.

Watch Charlotte honor Anne Reinking at the 25th Anniversary celebration: https://youtu.be/eiuFHnEZ5FM

Charlotte d'Amboise returns to Chicago after starring as Fastrada in the Tony Award-winning revival of Pippin. For her portrayal of Roxie in the Chicago's first national tour, she earned L.A. Drama Critics Circle, L.A. Ovation and Bay Area Theatre Circle awards. Her other NY credits include A Chorus Line (Cassie, Tony nomination), Sweet Charity (Charity, Fred Astaire Award), Can-Can (Encores!), Contact, Damn Yankees (Lola, Fred Astaire Award), Jerome Robbins' Broadway (Tony nomination), Company, Carrie, Song and Dance and Cats. Film: The acclaimed documentary Every Little Step, Frances Ha, The Preacher's Wife, The In Crowd. With her husband Terrence Mann, Ms. d'Amboise teaches a summer musical theatre intensive. Visit www.triplearts.com. Follow me on Twitter @CharlotteDAmboi.

The Tony Award-winning, record-breaking hit musical Chicago is n ow in its 25th year, Chicago is Broadway's longest running American musical.

Bianca Marroquín has played Roxie Hart in the Broadway company of CHICAGO off-and-on over the last 20 years, with over 4,000 performances. Now, for Broadway's return, she joins a short list of legendary women who have both played Roxie Hart and Velma Kelly in the show - including Chita Rivera, Bebe Neuwirth and Ruthie Henshall. She first played "Roxie Hart" in 2002 in Mexico City's Spanish-language production, soon thereafter she was invited to join the Broadway company where she made history becoming the first Mexican woman in a leading role on Broadway! Her other Broadway credits including Daniela in In the Heights and Carmen in The Pajama Game. She recently appeared as Chita Rivera the FX miniseries Fosse/Verdon.

The cast of Chicago currently features Charlotte d'Amboise as Roxie Hart, Bianca Marroquín as Velma Kelly, Tom Hewitt as Billy Flynn, Jennifer Fouché as Matron "Mama" Morton, Raymond Bokhour as Amos Hart and R. Lowe as Mary Sunshine. The cast also includes David Bushman, C. Caballero, Jennifer Dunne, Jessica Ernest, Jeff Gorti, Arian Keddell, Mary Claire King, Barrett Martin, Sharon Moore, Drew Nellessen, Celina Nightengale, Brian O'Brien, Denny Paschall, Jermaine R. Rembert, Rachel Schur, Michael Scirrotto, Christine Cornish Smith and Brian Spitulnik.

With a legendary book by Fred Ebb and Bob Fosse, music by John Kander and lyrics by Fred Ebb, Chicago?is now the #1 longest-running American musical in Broadway history.

Produced by Barry and Fran Weissler, Chicago is the winner of six 1997 Tony Awards including Best Musical Revival and the Grammy Award for Best Musical Cast Recording.

Directed by Tony Award winner Walter Bobbie and choreographed by Tony Award winner Ann Reinking, Chicago features set design by Tony Award winner John Lee Beatty, costume design by Tony Award winner William Ivey Long, lighting design by Tony Award winner Ken Billington, sound design by Tony Award winner Scott Lehrer and casting by Stewart/Whitley.

Set amidst the razzle-dazzle decadence of the 1920s, Chicago is the story of Roxie Hart, a housewife and nightclub dancer who murders her on-the-side lover after he threatens to walk out on her. Desperate to avoid conviction, she dupes the public, the media and her rival cellmate, Velma Kelly, by hiring Chicago's slickest criminal lawyer to transform her malicious crime into a barrage of sensational headlines, the likes of which might just as easily be ripped from today's tabloids.

NEW PERFORMANCE SCHEDULE:

Mondays at 7pm, Tuesdays at 7pm, Thursdays at 7pm, Fridays at 8pm, Saturdays at 2:30pm & 8pm, Sundays at 2:30pm* & 7pm
(*Sunday Mats at 2pm beginning Feb 13)

TICKET INFORMATION

Buy tickets for Chicago now for any performance through February 28, 2022, and you can either exchange or refund your tickets into any other date until 48 hours before the performance.
Tickets are available in person at the Ambassador Theatre (219 W 49th St). Box office hours are Monday thru Saturday 10am-8:30pm, Sunday 12pm-7:30pm. Tickets are also available at ChicagotheMusical.com

SAFETY PROTOCOLS

Vaccination, Mask, and ID Requirements

Performances through February 28, 2022:

• MASKS REQUIRED: All guests must wear a properly fitting mask over the nose and mouth in the theatre except when eating or drinking in designated areas.
• VACCINATIONS REQUIRED: Everyone ages 12 and older must be vaccinated with an FDA or WHO authorized vaccine. If it is less than 14 days after the last vaccine dose (excluding boosters), proof of a negative test is also required.
• CHILDREN AGES 5-11: Must be vaccinated with at least one dose of an FDA or WHO authorized vaccine. If it is less than 14 days after the first vaccine dose, proof of a negative COVID-19 test is also required.
• Children under 5 and people with a medical condition or closely held religious belief that prevents vaccination may show proof of a negative test. Testing results must be provided by a qualified lab, administered by a heath care professional.
• PHOTO ID: Guests ages 18 and older must present a valid government-issued photo ID. Guests under 18 may also show a non-photo government-issued or school ID. Children under 12 must be accompanied by an adult who meets the above requirements.
• Guests who do not comply with these policies will be denied entry or asked to leave the theatre.
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