Matt Doyle is pretty incredible in "Getting Married Today".
I thought this production largely works when they're in their boxes, and loses its way when they leave the boxes - this number captures both aspects of that. I do think that Lenk has gotten stronger in the show since this was filmed, though she remains miscast.
Except that Bailey is SO much more impish and sexier and fun to watch. And Rosalie, whom I saw four times, got better and better and emerged a total knockout: a genuine Everywoman which in a way is what the subject requires. This is not a musical version of SEX AND THE CITY (thank God).
