I mostly agree about ON* SUGARLAND. Certain nice moments and performances, but didn't ultimately cohere for me.
I loathe plays that *feel* like plays, so basically from the downbeat I was at odds with this text. I understand the sprawling Greek aspects at play but that didn't mean it was intellectually or emotionally stimulating.
A lot of busy work needed trimming... I guess a large cast was necessary for the church service scenes but what to do with actors for the rest of the story?
