Threaded Order Chronological Order
| re: Wait, for real? | |
| Posted by: ryhog 06:32 pm EDT 06/25/22 | |
| In reply to: re: Wait, for real? - Ann 05:27 pm EDT 06/25/22 | |
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| Ann, my two cents: If you are looking at fine-tuning, I don't think "rights holder" (which in this case would be Selina Fillinger) is what you are after. Based on what you are saying I suspect you mean the production (which has licensed the rights). I also don't think in 2022 that you would restrict it to a commercial release. (If it is on the producer's website(s) or social media channels, I would think that would suffice, and it would differentiate it from something posted on IG by an actor, for instance). | |
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| re: Wait, for real? | |
| Posted by: Ann 08:59 pm EDT 06/25/22 | |
| In reply to: re: Wait, for real? - ryhog 06:32 pm EDT 06/25/22 | |
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| "Rights holder" was always our intention because, although productions and schools often made/ make videos, it was not within the licensing agreement. And, yes, we are more lenient now with some stuff posted by the producers, but that's not usually audience recordings. | |
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| re: Wait, for real? | |
| Posted by: ryhog 10:47 pm EDT 06/25/22 | |
| In reply to: re: Wait, for real? - Ann 08:59 pm EDT 06/25/22 | |
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| My brain is so wired to Broadway but that's obviously a good point about some productions. With the understanding that I am not pressing anything at all and I am happy with whatever you do or don't do, I am still not crazy about "rights holder" because what's being protected is actually a lot broader than the rights holder. In my experience, the most aggrieved parties with regard to unauthorized recordings are actually actors and not writers. While a producer may have authorization to use recordings in the AEA contract, the writer generally would not. It gets complicated and maybe steering a pretty conservative course does actually make the most sense -- at least in the absence of a separate department to monitor what's being allowed. :-) |
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