"Rights holder" was always our intention because, although productions and schools often made/ make videos, it was not within the licensing agreement. And, yes, we are more lenient now with some stuff posted by the producers, but that's not usually audience recordings.
My brain is so wired to Broadway but that's obviously a good point about some productions.
With the understanding that I am not pressing anything at all and I am happy with whatever you do or don't do, I am still not crazy about "rights holder" because what's being protected is actually a lot broader than the rights holder. In my experience, the most aggrieved parties with regard to unauthorized recordings are actually actors and not writers. While a producer may have authorization to use recordings in the AEA contract, the writer generally would not. It gets complicated and maybe steering a pretty conservative course does actually make the most sense -- at least in the absence of a separate department to monitor what's being allowed. :-)
