I haven’t heard anything from production sources, but on the ground here in New York, the theater community is expecting a transfer. It’s a big, bold, crowd pleasing show that pushes the form while working within a populist space, and it should appeal in particular to Black and queer audiences.
It’d work really well in Circle, where it can maintain its relationship to the audience as a participant, but it could also also be reconfigured for a proscenium house. |
