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| re: but was Kaye the kind of star that would become an overnight star, or a star ever? | |
| Posted by: Pokernight 06:34 pm EDT 08/02/22 | |
| In reply to: but was Kaye the kind of star that would become an overnight star, or a star ever? - Chazwaza 06:20 pm EDT 08/02/22 | |
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| Kaye is a Broadway star. It's been proven many times over. However, the camera was not a friend, so she has had no luck in film or TV. In addition to her many wonderful performances over the years, her Rizzo in GREASE was dynamite. | |
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| re: but was Kaye the kind of star that would become an overnight star, or a star ever? | |
| Posted by: mlop 12:15 am EDT 08/06/22 | |
| In reply to: re: but was Kaye the kind of star that would become an overnight star, or a star ever? - Pokernight 06:34 pm EDT 08/02/22 | |
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| She definetly is a Broadway Star, She has won two Tony Awards one for PHANTOM OF THE OPERA in 1988, and the other for NICE WORK IF YOU CAN GET IT in 1988 both as featured, and was nominated for two others in MAMMA MIA, as featured in 2002 and for Lead in SOUVENIR in 2006 which she took on the road. She was brilliant as Queen Elizabeth in DIANA recently. Judy has also done CINDERELLA, WICKED, and ANASTASIA as replacements on Broadway. | |
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| re: but was Kaye the kind of star that would become an overnight star, or a star ever? | |
| Posted by: bmc 01:27 pm EDT 08/03/22 | |
| In reply to: re: but was Kaye the kind of star that would become an overnight star, or a star ever? - Pokernight 06:34 pm EDT 08/02/22 | |
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| List to her performance of "Duet for One" in John Mcglinn's Broadway Showstoppers Anthology. Just Amazing! | |
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| re: but was Kaye the kind of star that would become an overnight star, or a star ever? | |
| Posted by: FleetStreetBarber 02:38 pm EDT 08/03/22 | |
| In reply to: re: but was Kaye the kind of star that would become an overnight star, or a star ever? - bmc 01:27 pm EDT 08/03/22 | |
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| If you think that's amazing, try to imagine Pat Routledge's astonishing show-stopping rendition of the "Duet for One " in "1600 Pennsylvania Avenue." At the closing performance the applause continued even as a scene change was under way and the lights were brought back up on Routledge so she could acknowledge the ovation (in character, of course). | |
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