Threaded Order Chronological Order
| re: Tonya Pinkins/Caroline, or Change | |
| Posted by: roleplay 07:40 am EDT 08/30/22 | |
| In reply to: re: Tonya Pinkins/Caroline, or Change - PlazaBoy 01:55 pm EDT 08/29/22 | |
|
|
|
| I also found the Tony performance incredibly tough to watch. My throat just hurt for her! I saw the show and it was a wonderfully gutting moment. I'm sorry to sound naive but why is it that composers and arrangers feel they need to push an actor to those unhealthy limits? It should be able to be performed in a healthy way and yet still have the dramatic punch. I don't recall feeling that way watching Angela or Bette or Tyne performing Rose's Turn when I saw them. And yet, the number blew the roof off. I'm sure Rose's Turn was a tough moment for all those actresses too, coming at the end of a long vocal show for Rose. | |
| reply to this message |
| re: Tonya Pinkins/Caroline, or Change | |
| Posted by: Singapore/Fling 09:53 am EDT 08/30/22 | |
| In reply to: re: Tonya Pinkins/Caroline, or Change - roleplay 07:40 am EDT 08/30/22 | |
|
|
|
| For me, the big difference is the emotional vulnerability that Pinkins brought to the role. Watching Sharon D. Clarke, whose voice was never less than stellar, perform "Lot's Wife", the number reminded me of "Rose's Turn": big, brassy, assured... but still quite guarded. And then add to that... Tonya is a force of nature, but part of her magnificence on stage comes from her messiness. She doesn't use the best vocal technique on stage, and she doesn't practice the best vocal care off stage. Like Bernadette, she's someone you want to see early in the run if possible. | |
| reply to this message |
| For me it was also the nuance | |
| Posted by: Chazwaza 07:11 pm EDT 09/02/22 | |
| In reply to: re: Tonya Pinkins/Caroline, or Change - Singapore/Fling 09:53 am EDT 08/30/22 | |
|
|
|
| Sharon was awesome... but very much 2-3 notes, both times I saw her, and very low energy compared to the rest of the cast and goingson. This was not the case at all with Pinkins. Pinkins brought energy TO being exhausted and angry and suffocating. And more importantly to me, for the show, she brought a sense of resigned humor to a lot of her lines and lyrics and looks (like with her eyes, not her outfits) that made her much more human, relatable and someone you root for rather than observe in exhausted sorrowful majesty. | |
| reply to this message | reply to first message |
Time to render: 0.011518 seconds.