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| it will need some big star names to sell tickets | |
| Posted by: dramedy 12:59 pm EST 11/25/22 | |
| In reply to: re: Sheer madness - lonlad 12:33 pm EST 11/25/22 | |
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| i can't see this being an ensemble cast of nobodies. | |
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| re: it will need some big star names to sell tickets | |
| Posted by: ChicagoDRO 05:15 pm EST 11/25/22 | |
| In reply to: it will need some big star names to sell tickets - dramedy 12:59 pm EST 11/25/22 | |
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| I just saw this show in London in June. Yes it is a little tired but it was wonderful to actually see this in London in the theatre that has been its home for the last 50 years. I had a great matinee. Maybe they can do the show with a changing cast of well known actors who stay for a limited time. Kind of like Into the Woods which will drive audiences to buy tickets and multi views. I’d like the producers to update the special effects of sound and lighting too build more suspense. | |
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| re: it will need some big star names to sell tickets | |
| Last Edit: Delvino 06:54 pm EST 11/25/22 | |
| Posted by: Delvino 06:52 pm EST 11/25/22 | |
| In reply to: re: it will need some big star names to sell tickets - ChicagoDRO 05:15 pm EST 11/25/22 | |
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| The play’s backstory is quite relevant, about foster care and inadequate social services. It was prominent in See How They Run, the West End production adjacent film released this past summer, though they strained to avoid Mousetrap spoilers. The best character is the culprit but to cast a star alone might give it away. The Knives Out model serves. | |
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