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| re: Camelot Marketing | |
| Posted by: Circlevet 06:17 pm EST 12/18/22 | |
| In reply to: re: Camelot Marketing - sirpupnyc 11:09 am EST 12/18/22 | |
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| I run hot and cold with his direction but love Comte Ory and feel the Rigoletto is a vast improvement over Myers's Vegas fiasco. | |
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| re: Camelot Marketing | |
| Posted by: Chromolume 09:21 pm EST 12/18/22 | |
| In reply to: re: Camelot Marketing - Circlevet 06:17 pm EST 12/18/22 | |
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| ...and feel the Rigoletto is a vast improvement over Myers's Vegas fiasco. How? Can you elaborate? |
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| re: Camelot Marketing | |
| Posted by: Circlevet 11:53 pm EST 12/19/22 | |
| In reply to: re: Camelot Marketing - Chromolume 09:21 pm EST 12/18/22 | |
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| The Vegas setting, while sometimes visually stunning, made no sense and the story was not well told. The current production tells the story clearly and, for me, is a much more visually satisfying experience. | |
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| re: Camelot Marketing | |
| Posted by: Chromolume 01:24 am EST 12/20/22 | |
| In reply to: re: Camelot Marketing - Circlevet 11:53 pm EST 12/19/22 | |
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| The current production tells the story clearly Except for that ridiculous "dream sequence" near the end. And Gilda's abduction is pretty odd too. And for all the fuss about it being set in 1920's Germany, I don't see any of that. The story would have been a lot clearer if set in Mantua. And it's so dark and drab, in ways it didn't have to be. At least the Vegas production was colorful and more exciting visually in general. I can't say this production has much to watch at all. |
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