| Josh Groban: “For theater writers, it’s a narrow window into that world because you’re writing with really long arcs. I’ll never forget: [Sondheim] invited me over to his apartment to chat between [“Great Comet”] shows; I had a two-show day, and I ran — ran, ran, ran — to go have a half-hour with him. He was asking me questions about the music world, and I was asking him about his process.” |
