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re: Response.
Posted by: dramedy 11:41 am EDT 04/06/23
In reply to: re: Response. - lowwriter 11:09 am EDT 04/06/23

Soo did the least projection of the three my night but Donica was performing sat night with strong voice. Maybe in front row the orch overpowers a bit more than where I sat and the actors might be projecting upwards toward the mezz than down below.
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re: Response.
Posted by: gothamplaygoer 08:17 pm EDT 04/08/23
In reply to: re: Response. - dramedy 11:41 am EDT 04/06/23

The first few rows should definitely be avoided because the stage is very high. From these seats you are getting too much sound from the orchestra, which is under the stage, and too little sound from the singers.
Link Camelot
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re: Response.
Posted by: lowwriter 03:14 pm EDT 04/09/23
In reply to: re: Response. - gothamplaygoer 08:17 pm EDT 04/08/23

I have sat in the first row for all the past musicals at the Beaumont and have never had sound issues with a full orchestra before. I know someone who saw Camelo much further back and also found the sound lacking.
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re: Response.
Posted by: melvotaw 06:00 pm EDT 04/07/23
In reply to: re: Response. - dramedy 11:41 am EDT 04/06/23

No. Most of the singers could be heard in the front row. For some reason, they had under-miked the leads, especially Phillipa and Mattias.
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re: Response.
Posted by: peter3053 10:00 pm EDT 04/06/23
In reply to: re: Response. - dramedy 11:41 am EDT 04/06/23

From all this, it sounds as if they haven't a clue about what made "Camelot" hold the place it does in so many people's hearts.
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re: Response.
Posted by: melvotaw 06:02 pm EDT 04/07/23
In reply to: re: Response. - peter3053 10:00 pm EDT 04/06/23

Not the slightest clue. They should have spoken to a woman. In my mind, if I don't fall in love with both Arthur and Lance, something is wrong. I did fall in love with Arthur in this version, but only because I think Andrew was the only one who was allowed to bring vulnerability and warmth to his role.
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