| Google's "Bard" AI tries to produce a new musical (VERY LONG) | |
| Posted by: pecansforall 09:04 am EDT 05/12/23 | |
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| Just tried this for giggles. Please create a plot for a Broadway musical for 2 males and 2 females Sure, here is a plot for a Broadway musical for 2 males and 2 females: The musical is set in the 1920s and follows the story of two couples, one from New York City and one from London. The New York couple, Jack and Jill, are young and in love. They are planning to get married, but Jack's father disapproves of the match. The London couple, Tom and Mary, are also young and in love. They are struggling to make ends meet, but they are determined to build a life together. The two couples meet by chance on a train to Paris. They quickly realize that they have a lot in common, and they become friends. As they travel together, they fall in love with each other and with Paris. The musical follows the couples as they navigate their relationships, their careers, and their dreams. They face challenges along the way, but they always find a way to overcome them. In the end, they all find their happily ever after. Here are some possible songs for the musical: "Opening Number" - A lively song that introduces the characters and the setting. "I'm in Love" - A romantic duet sung by Jack and Jill. "The World Is Our Oyster" - A hopeful song sung by Tom and Mary. "The City of Lights" - A show-stopping number that celebrates Paris. "The Wedding" - A joyous song that celebrates the couples' love. "The End" - A bittersweet song that reflects on the journey the couples have taken. I hope you like this plot! Can you add a subplot involving an adoption of a child? Sure, here is a subplot involving an adoption of a child: Jack and Jill have been trying to have a baby for years, but they have been unsuccessful. They are starting to lose hope, but then they learn about adoption. They decide to pursue adoption, and they eventually find a baby girl to adopt. The adoption process is long and difficult, but Jack and Jill are determined to make it work. They finally get to bring their new daughter home, and they are overjoyed. They name her Lily, and they love her very much. Lily brings a lot of joy to Jack and Jill's lives. She is a happy and healthy baby, and she loves her new parents very much. Jack and Jill are so grateful to have her in their lives. The adoption subplot adds an extra layer of complexity and emotion to the musical. It shows the challenges and rewards of adoption, and it celebrates the power of love. Tell me more about the time period. The plot is set in the 1920s. This was a time of great change and upheaval in the world. The First World War had just ended, and the world was still trying to recover. The Roaring Twenties were a time of economic prosperity and social change. Women were gaining more rights, and the arts were flourishing. The 1920s was also a time of great innovation in the world of music. Jazz was becoming increasingly popular, and new forms of dance were emerging. This was the perfect time for a Broadway musical that celebrated love, hope, and the power of music. Who would be a good director for this show? There are many talented directors who would be great for this show. Here are a few suggestions: Casey Nicholaw is a Tony Award-winning director and choreographer who has worked on many successful Broadway musicals, including The Book of Mormon, Aladdin, and Mean Girls. He is known for his bold and inventive staging and his ability to create visually stunning productions. Kathleen Marshall is another Tony Award-winning director and choreographer who has worked on many classic Broadway musicals, including The Pajama Game, Anything Goes, and She Loves Me. She is known for her elegant and sophisticated style and her ability to bring out the best in the material. Jerry Zaks is a Tony Award-winning director who has worked on many popular Broadway musicals, including The Full Monty, Guys and Dolls, and The Band's Visit. He is known for his warm and witty humor and his ability to create productions that are both funny and moving. Ultimately, the best director for this show would be someone who has a strong understanding of the material and who can bring out the best in the cast and crew. They would also need to have a vision for the show that is both creative and exciting. How large of an orchestra will I need? The size of the orchestra you need will depend on the size of the theater, the complexity of the music, and your budget. A typical Broadway musical orchestra has between 20 and 30 musicians. However, some musicals, such as The Lion King, have much larger orchestras, while others, such as A Chorus Line, have much smaller orchestras. If you are on a tight budget, you may be able to get away with a smaller orchestra. However, if you want a full, lush sound, you will need a larger orchestra. Ultimately, the best way to decide how large of an orchestra you need is to consult with a music director or orchestrator. They will be able to help you create the sound that you are looking for. Who would be good for the leads? Here are some suggestions for actors who would be good for the leads in the musical: Jack: Aaron Tveit Andrew Rannells Darren Criss Jeremy Jordan Joshua Henry Jill: Laura Benanti Lea Michele Megan Hilty Kelli O'Hara Jessie Mueller Tom: Ramin Karimloo Alfie Boe Hugh Jackman Michael Ball Steven Pasquale Mary: Katharine McPhee Sutton Foster Idina Menzel Patti LuPone Vanessa Williams These are just a few suggestions, and there are many other talented actors who would be great for these roles. Ultimately, the best way to cast the show is to hold auditions and find actors who have the right combination of talent, charisma, and chemistry. |
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