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| "How America’s Playwrights Saved the Tony Awards" | |
| Posted by: FrenchDip 12:42 pm EDT 05/23/23 | |
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| Michael Paulson in the New York Times on how the Tonys broadcast was saved | |
| Link | Gift link - no paywall! |
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| re: "How America’s Playwrights Saved the Tony Awards" | |
| Posted by: singleticket 01:10 pm EDT 05/23/23 | |
| In reply to: "How America’s Playwrights Saved the Tony Awards" - FrenchDip 12:42 pm EDT 05/23/23 | |
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| Nice move on their part and it was done, it seems, as a community. | |
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| re: "How America’s Playwrights Saved the Tony Awards" | |
| Posted by: schauspieler 03:07 pm EDT 05/23/23 | |
| In reply to: re: "How America’s Playwrights Saved the Tony Awards" - singleticket 01:10 pm EDT 05/23/23 | |
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| Kushner: “Ethically and morally, this felt like a recognition of the particular vulnerability of the theater industry. It’s the right thing to do, and costs us nothing.” | |
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| re: "How America’s Playwrights Saved the Tony Awards" | |
| Posted by: mikem 07:00 pm EDT 05/23/23 | |
| In reply to: re: "How America’s Playwrights Saved the Tony Awards" - schauspieler 03:07 pm EDT 05/23/23 | |
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| The Tonys had better present Best Book and Best Score on the main program, or that would be a major slap in the face to the playwrights who saved them. I would imagine all the Best Book nominees are members of the WGA, as are presumably at least Cameron Crowe and David Lindsay-Abaire for Best Score. | |
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