As I read (V)(f) and all the appendices about adjustments to (V)(f), it remains clear that the a) the producer is meant to contact AFM expeditiously after acquiring a theatre to bring the Special Situation to the union's attention. It is also mentioned in the CBA that AFM might already be aware of major productions that have been done other than on Broadway, under considerations in variance with the CBA. It is clear that (V)(F) anticipates productions like RENT or ONCE etc, that by the nature of the music and style may require a smaller orchestra than a current minimum at a Broadway theatre. What (V)(F) does not seem to anticipate is a musical show whose special circumstance requires no orchestra, and will be using tracks rather than live musicians.
There is a musical director, who one assumes is AFM. Lets keep in mind that this musical without musicians also eliminates the job of a rehearsal pianist or rehearsal musicians, most likely, as well as payments to orchestrators and copyists.
Potentially there are losses in income of $150,000+ pre opening, and $42,000+ per week during performances. Plus large losses of benefits being paid into the union benefit plans, although I assume that the 045 will still be paid, so the AFM pension plan will get its share - but their health plan will get nothing - of the producers get their way. |
